Military

Certificate of Exemption from Military Service for George D. Phillos, resident alien, serial #1331.

Notice of Call and to Appear for Physical Examination for George D. Phillos for military service in the USA. August 8, 1917. Serial # 1331

Postcard indicating that George D. Phillos, order #98, serial #1331, has been placed in in Class One by the local board for Bloomington, IL.

Postcard to notify George D. Phillos that as a result of his physical examination that he has qualified for military service.

Registration certificate for George Demetriou Phillos, 1649 N. St. Louis, Chicago, IL Laminated card indicating white race, 5' 4" height, 150 lbs, gray eyes, black hair and light complexion of George Phillos. George Phillos registered for Selective Service on April 27, 1942.

American Legion cap that belonged to World War I veteran Nicholas D. Gianoulis. He was involved in the Hellenic Post 343 in Chicago area around 1920-1935. The cap was donated by Nicholas D. Gianoulis's daughter Dorothea Gianoulis Malina. 

Dedication of the George Dilboy Memorial. Black and white photo of two men with wreaths standing at base of statue. There are Priests in foreground: Fr. Matopoulos and Fr. George Rexinis.

Black and white photo of a group of 31 men and women gathered in front of the George Dilboy Memorial. They stand in a semi-circle in three rows. The memorial consists of a bronze life-size sculpture of a man wearing a World War I Army uniform and steel helmet, atop a tall concrete pedestal. The figure stands with feet apart, holding a rifle horizontally in front of his waist. Several feet of the pedestal are visible above the people standing below. It has Greek architectural motifs, including a frieze at the top with two Greek warriors separated by triglyphs. Below the frieze is a laurel, and below that "George Dilboy" is etched in all caps. To the right of the memorial is a flag with the number '13' hanging on an eagle-topped pole (Charter #13 of the Disabled Veterans of the World War funded the George Dilboy Memorial). At the left of the group is an American flag, also hanging on a pole with an eagle at the top. There are rows of trees in the near background. In each foreground corner is a patch of tulips and a small American flag stuck into the grass on a pole. A concrete bench extends from the left edge of the image. Several of the people in the group wear garrison caps with veteran's insignia. One of these men, in the front row at left, holds a trumpet. All of the men wear dress suits. Directly right of the memorial, in the front row, is a priest wearing a liturgical stole. In the backrow, closest to the memorial, are five women, two of whom wear garrison caps.

Certificate of recognition given to Peter Mantzoros from the U.S. Military. "The United States of America honors the memory of Peter N. Mantzoros. This certificate is awarded by a grateful nation in recognition of devoted and selfless consecration to the service of our country in the Armed Forces of the United States." Signed by George H. W. Bush President of the United States. A golden seal of the U.S. is above the paragraph and the whole certificate is in a wooden frame.

Standard issue olive-drab (OD) colored U.S Army flat fold cap. Where the hat folds the hem is stiched with blue and yellow thread. In the inside there is a layer of brown leather and then the lining is a navy colored silk.

This is a black and white photograph of a military procession by a Greek Battalion at Camp Carson, Colorado. In the background, you can see a misty looking mountain range looming up behind them.  In the foreground, four men are leading a larger formation of armed, uniformed men who are marching  behind them. Two of the leading men are carrying flags, one American and one Greek. The photograph is matted on a cream background and framed in a simple, dark wooden frame.

Black and white photocopy of original photograph. A young man, Lt. Angelo Pappas, is standing on the "bridge of sighs" on camp grounds. He is tall, thin, with short dark straight hair and is wearing a dress military uniform.  He is smiling broadly and resting both hands a rough wooden railing.  The railing has an oval wooden plaque on it with white lettering in Greek font.  The background is bright and appears white with no discernable features.

Black and white wide-shot photograph of a banquet. There are two tiers of banquet tables covered in white tablecloths which run from left to right across the upper-middle of the photograph.  The tables are lined up end to end, appearing as two very long banquet tables.  There are both men and women seated at these tables.  The men appear to be in either military uniforms or suits, except for the clergyman on the far-right who is dressed in black liturgical vestments and a kalimavkion or black cylindrical hat.  The women are in dresses or dress suits and hats.  There is an area in front of the banquet tables, appearing to be stone or tiled flooring, with no tables on it.  In the lower right-hand corner of the photograph, on the ground floor, there are more banquet tables with white tablecloths and people sitting at them.  Everyone appears to be clapping and many are looking toward the center of the top tier where there appears to be two or three men who are standing.

 

Black and white photograph of the military band playing and marching. In the background there is the base of a mountain and eight white buildings or barracks. There are also 6 battalions all in formation; four lined up in front of the barracks, two are following behind the band. In the bottom right corner of the photo there is a round insignia that says "Signal Corps U.S. Army"

Black and white photograph of uniformed men marching in squads or battalions. In the background there is the base of a mountain and eight white buildings. There are also 7 battalions all in formation. In the bottom right corner of the photo there is a round insignia that says "Signal Corps U.S. Army"

Black and white photograph of 6 battalions of soldiers marching around the yard in formation.  All men are in uniform and are not carrying weapons.  The color guard, 3 military men in uniform, are carrying rifles, except for the troupe in the center who is carrying the American Flag.  In the background there are eight white buildings. In the bottom right corner of the photo there is a round insignia that says "Signal Corps U.S. Army"

Black and white photograph of six battalions of uniformed men marching in formation. In the background there are 7 white buildings. The battalion facing the stage is the marching band. In the bottom right corner of the photo there is a round insignia that says "Signal Corps U.S. Army"

Black and white photograph of uniformed men marching. There are 3 soldiers in the middle of the photo. The one in the middle is carrying the American flag, and the other two are carrying riffles. In the background you can see the barracks and other units marching. In the bottom right corner of the photo there is a round insignia that says "Signal Corps U.S. Army"

Black and white photograph of military men on a wooden stage or platform. On the stage there are chairs, a man with a camera, and soldiers in the color guard with flags standing in a line. The man with the camera was from 20th Century Fox Movietone. He was a photographer filming President Roosevelt's visit.

Black and white photograph of the Greek Battalion marching in formation. In the background there are mountains and clouds. There are 3 white buildings off to the right and the ground looks like hard dirt. Off to the left a ways into the battalion you can see an American and Greek flag. There are two officers out front leading the battalion one is carrying a black flag. In the bottom right corner there is an insignia that reads "signal corps U.S. Army."

Portrait of two men in military uniform in formal pose. The man on the right is tall, slender and clean shaven.  His uniform is dark and he has a dark officer's cap.  The man on the right is almost a head shorter and is wearing a darker uniform with a white officer's cap.
 

Yellow ribbon with two navy stripes, one on each side. There is a bronze metal strip that says 1940.The medallion is bronze with a cross. A wreath of olive leaves make a circle connecting the points of the cross. There are two swords that cross making 8 points with the cross. In the center of the cross and where the two swords cross there is a dove with its wings out. . On each leg of the cross it has a greek writing saying "in Defence of the Homeland." On the back of the medallion it says Greece in greek with the years 1916-1917 underneath.

Circular bronze medal with integral crown suspension. The face with a Leopold cross with crossed swords between the arms and with a crown at its centre, the upper arm bearing the cipher of King George I, the lower arm that of King Constantine I, circumscribed ‘With God, for King and Country’; the reverse inscribed in Greek meaning Macedonia Epirus Archipelago (the countries that fought) encircled by a laurel wreath, signed ‘G. Iakovidis’. On the ribbon there are 3 metal strips :DRISKOS, AETORRACHI, IOANINA where the battles took place.

Circular bronze medal with laterally pierced lug and ribbon bar suspension; the face with the head of King Constantine surrounding the king there is greek writing (Constantine King of the Hellenes 1913). The reverse side has the head of Emperor Basil II and is enscribed in greek (Basil II 976-1025) and signed ‘G. Iakovidis’ on the base of the neck.

Metal Helmet with a red six pointed star on the front, has metal pieces that look like they were once used for a strap. Metal has an olive green hue to it.

Dark blue military dress hat with golden trim around the folded up fabric, which goes down in a diagonal line on one side. On the other side, there is a bronze star that says "US" in the middle surrounded by a blue circle with "American Legion" printed in gold, which is in turn surrounded by a golden circle. Below this seal, the hat says "Kentucky." The inside of the hat is golden colored, with a brown band around the bottom. On this brown band, there is black writing that says "Saco Brand, National Headquarters the American Legion, Indianapolis"

Olive military cap. The cap is shaped like half of an oval, with an oval shaped piece of fabric in the middle connecting the two sides. there is a brim along the bottom that is flipped up. The hat is composed of a thick fabric, with seams along either end. There is no band on the inside of the hat.

Olive military cap. It is somewhat half-oval shaped, with an oval connecting the two half ovals at the top. There is a brim that reaches the top of the hat at one end and then gets lower on the other end, where its stitching can be seen. The inside of the hat has a tan colored band. The cap is made out of a heavy material, such as wool.

Olive drab canvas water repellent duffle bag. At the top of the bag there is a faded stamp. From what you can read the stamp says " Bag, waterproof, clothing 00107. DSA1 70-0-0553. 8469-261-609. Gibraltar Fabrics , Inc. 026." Most likely used during Mr. Vranas tour in Vietnam

Olive drab canvas water repellent duffel bag with strap and handle and metal grommets. outside label reads: "305th Psyop Bn (strat) VRANAS, BILL J 356-38-2498 H.O. Comp" from what you can read it looks like the inside stamp reads: "IAD Duffel OD w/ strap type 1, DSAIDD-70-F-U277 H405-206-4920-LOT-5

Olive drab pair of socks from the Vietnam War

Olive drap pair of socks from the Vietnam War

Olive drap pair of socks from the Vietnam War

Olive drap pair of socks from the Vietnam War

Right shoe of pair of black leather military boots. Men's size 8 1/2. Standard issue all leather combat boots during Vietnam War. More prevalent early in the war, before the introduction of Jungle Boots. Leather is worn, especially along bridge across toes and the back of the ankle. Dirt and white dust is caked into seams, leather sole, and creases. Tread is very worn on bottom of sole. Labeled inside ankle with a sewn-in tag that reads: "Bill J. Vranas 356 38 2498." Ends of shoelaces are slightly frayed. 8XW FR 7 67 is stamped on outside of left ankle section. Black coloring is worn on shoelace holes, and there is a bit of a white substance on the bottom left shoelace hole. There are various scratches, especially on heel and toe.

Left shoe of pair of black leather military boots. Men's size 8 1/2. Standard issue all leather combat boots during Vietnam War. More prevalent early in the war, before the introduction of Jungle Boots. Leather is worn, especially along bridge across toes and the back of the ankle. Dirt and white dust is caked into seams, leather sole, and creases. Tread is very worn on bottom of sole. Labeled inside ankle with a sewn-in tag that reads: "Bill J. Vranas 356 38 2498." Ends of shoelaces are slightly frayed. 8XW FR 7 67 is stamped on outside of left ankle section. Black coloring is worn on shoelace holes. Large scratch in leather along right right side of ankle.

Captain's uniform jacket with 6 buttons, service ribbons, and one star on each sleeve

Black necktie is part of the Desert Storm U.S. Navy uniform. The knot is still intact. The black color of the fabric is slightly faded.

White cotton buttondown shirt. Part of US Navy uniform. Around the neck of the shirt has much staining, probably due to sweating.

Wool pants. Part of US Navy uniform. There is a tag on in the interior front of the pants. The tag indicates who and when last tailored the pants. The lining of the pockets on the interior of the pants are a mustard color.

Black woven cotton belt with metal buckle. It is wrapped around a pair of pants.

A white U.S. Navy officers cap. The front of the hat has an insignia with an eagle, shield, and anchors. The visor has gold leaflets or "scrambled eggs." There is a gold cord around the top of the black visor. On the inside of the cap there is a label with George Peter Sotos name on it.

A size 7 black wool necktie issued by the U.S. Navy.

A black wool necktie issued by the U.S. Navy. A tag on the back says "Wembley."

A black polyester necktie issued by the U.S. Navy. A tag on the back says "All Dacron Polyester."

US Army camouflage fatigue uniform jacket.

U.S. Army cotton fatigue uniform pants

cotton military cap. Part of U.S. Army fatigue uniform.

Army full dress uniform/cavalry wool jacket. Army green with 5 front buttons and four pockets with buttons. Three front buttons are missing. There is one extra button attached to the interior collar.

Army green, wool army jodhpurs. With 7 buttons

Brown leather legging. Part of World War One army uniform. Russet color.

Brown leather legging. Part of World War One army uniform. Russet color.

102" long wool and cotton leg wraps. Part of World War One army uniform.

102" long wool and cotton leg wraps. Part of World War One army uniform

Army green, size 6 7/8, lined wool army cap. There are small holes on the interior of the cap, possibly for pins.

Black and white photograph depicting Pvt. George Phillos standing in his World War I Army uniform. Phillos is standing in a carpeted room in front of a backdrop wall decorated with tree branches and a path winding into the distance. He is wearing an Army jacket and tapered trousers, canvas leggings (puttees), boots, and a campaign hat. He is at the center of the image, arms are clasped behind his back. He is angled slightly away from the camera, heels together and toes apart. His head is tilted slightly to the left and he is looking up and to the right. The photograph is printed on an unused postcard.

Black and white full-length photograph of two men standing in a carpeted interior against a backdrop wall decorated with tree branches. Both men are wearing Army-issued winter wool coats, double-breasted with six buttons and a wide collar. The man on the left (identity unknown) is taller. He wears canvas puttees over the shin of his trousers and a narrow, center-fold garrison hat. He has dark eyebrows and a thick mustache. His hands are clasped behind his back. The man on the right (George Phillos) wears wrap puttees and a triangle-shape garrison cap. His bronze service branch insignia is visible on the up-turned left side of the cap. He has one hand in his left pocket and the other at his side. The two men are turned slightly toward each other but looking directly at the camera with solemn expression. Each has one foot pointed inward and the other pointed at the camera. The wall behind them is painted or wallpapered with naturalistic trees and patterned wainscoting at the bottom. The carpet is light-colored with a dark lattice pattern. The photograph is printed on a postcard. In the bottom right corner there is a 1-inch diameter embossed circle with the letters "Bloom---" at the bottom. (possibly Bloomington?)

Black and white photograph of George Phillos standing slightly off-center on stairs leading down from a stage. Four stairs are visible and Phillos stands, facing the camera with heels together and toes apart, on the second stair from the bottom. Behind him on the stage, an American flag is suspended flat so the whole flag is visible. There is striped bunting and a scalloped curtain above the stage. Phillos has a slight smile. He is wearing an Army uniform-- a button-down jacket, tapered trousers, boots and canvas puttees. He is holds his "Montana peak" campaign hat at his right side (image's left). The photograph is printed on a postcard. In the bottom right corner, it is embossed with a diagonal stamp that reads "The Star Studio" in elegant font and "BLOOMINGTON" in block print below.

2 STARS ON COAT-WORN-WWII 4-FRONT BUTTONS, 1 BUTTON & EMBLEM.

MARINE GREEN - SIZE 35 - SHORT

TIE COTTON THREE BUTTONHOLES

MARINE - GREEN (2 STARS) & EMBLEM

NAVY BLUE JACKET - 6 FRONT BUTTONS BRASS- METALLIC TRIM (GOLD) ON SLEEVES- 1 GOLD STAR ON EACH SLEEVE.

NAVY PANT - LARGE SIZE

WHITE DRESS HAT - COTTON - W/BLACK BAND AND VISOR. EAGLE EMBLEM W/ANCHORS GOLD BAND - GOLD LEAF. Navy

Colored formal portrait of Vice Admiral Michael P. Kalleres dressed in Naval dress uniform. American flag in background at left.

Formal portrait of Vice Admiral Michael P. Kalleres. American flag, globe and books on bookshelf in background. Wearing glasses.

Formal portrait of Vice Admiral Michael P. Kalleres, in formal white attire. Wearing glasses. American flag, globe and books on bookshelf in background.

Formal portrait of Vice Admiral Michael P. Kalleres, in formal white attire. Wearing glasses. American flag, globe and books on bookshelf in background.

Formal portrait of Vice Admiral Michael P. Kalleres. American flag, globe and books on bookshelf in background. Similar to 2008.24.3.2, but with addition of hat and in black and white.

This is a Navy life jacket from World War II. It is made out of dark green neoprene with a teardrop shaped opening for the head. The jacket splits in two near the base to allow it to inflate. Thter are dark blue straps attached to the jacket, which have a metal clip at one end and a metal loop at the other in order to secure the life jacket to a person. In between the folds of the jacket, there are two dark green tubes attached to the jacket with white rope pull chords with a black piece of rubber on them, presumabley meant to be pulled in order to inflate the jacket. The pull string has been secured to the tube by copper wire, so that it can't be pulled. In the bottom back right corner, there is manufacturing information. The inside of the jacket is blue, which may have been its original color.

A steel helemet with a plastic liner. The shell is made of metal, which is rough and bumpy on the outside. It is painted dark gray on the outside and green on the inside. The chinstrap is made from cloth and has a metal hook and eye. The liner is green on the outside and has a pattern of light and dark brown stripes on the inside. There is webbing on the inside of the liner, made of a combination of leather and cloth. One piece of cloth appears to have the letter "FWE" written on it. The leather chinstrap of the liner is cracked with age and has been torn in half. The chinstrap clip is rusty.

Black and white photograph of a sailor. The sailor is dressed in his uniform and he is standing at attention. In his left hand he is holding a rifle, the butt of the rifle is resting on the ground. He is standing in a field, in the background there is a white building strees, and power lines.

Color portrait (painted) of Harry Andritsas, Air Force, 509th Composite Group, First Atomic Bombardment Department. March 13,1942-November 15, 1945 Written "Harry Andritsas 1942" in ink on bottom left hand corner.

Black and white photograph of Harry Andritsas posed on stair case, exterior, at Jefferson Barracks, MO. Dressed in casual military attire.

Angelos Chatas in US Navy attire after returning fom France and preparing for Pacific duty. Angelos Chatas was part of the Naval Combat Demolition Unit, US Navy, during WWII. Recipient of the National Merit Cross from the French Government

Portrait of George W. Georgis, Lt. USNR, attached to Eighth Fleet, Naples, Italy. In formal military attire, standing in front of balcony railing.

Formal portrait of R: Ted W. Georgis, US Navy, served in the Hospital Corps in the Pacific. L: Peter W. Georgis, US Army, served and was wounded in the Battle of the Bulge in France

Black and white formal photograph of Lester W. Saunders, Staff Sgt. United States Air Force Awarded Soldier's Medal, 2 Oak Leaf Clusters and Air Medal

A Japanese submarine that was brought into Guam when the war ended in 1945. Members of the USS Willis crew are examing the captured submarine.

A Japanese submarine that was brought into Guam when the war ended in 1945. Members of the USS Willis crew are examing the captured submarine.

Lieutenant Commander Sotos, on the flying bridge, bringing his ship, the USS Willis (DE 395) alongside another destroyer escort

Lieutenant Commander George P. Sotos at his desk, on the telephone, in the Recruit Training Command Center.

Commander George P. Sotos, Executive Officer, at a Recruit Graduation review. Recruits in line recieving acknowledgment from Commander Sotos.

Front cover of the Deslant Information Bulletin, Comdeslant Notice 5000, August 1, 1955. Features an image of the USS Harlan Dickson (DD708). Commander George P. Sotos had command of this fast Atlantic Fleet Destroyer from 1955-1957

Black and white photograph of Commander George P. Sotos taking command of the nine Destroyer Escort ships of Escort Squadron 51 operating out of Pearl Harbor. Commander Sotos standing at podium addressing sailors and crew.

Image of USS Tolovana (AO 64) refueling a carrier in the Southwest Pacific ocean. Commander George P. Sotos is commanding officer.

USS Tolovana (AO64) refueling two Destroyers with Carrier astern awaiting its turn. Captain George P. Sotos was the Commanding Officer of the USS Tolovana

Black and white formal portrait of Captain George P. Sotos in his dress uniform.

The USS Willis (DE395) being refueled byt the USS Bogue, a small aircraft carrier in the North Atlantic. Lieutenant Commander George P. Sotos was the Executive Officer/Navigator of the USS Willis in WWII operations with the USS Bogue.

View of part of the exterior of the USS Willis, commanded by Lieutenant George P. Sotos, after a few days in a North Atlantic blizzard. The ice had to be promptly removed b/c it could destabilize the ship.

A black and white photograph of a family of nine native people from Papa New Guinea. They all wear wraps as bottoms, and none wear shirts. The person in the middle is wearing a shawl, and the person two people to her right is wearing fabric across his chest. The child three people to the left is wearing a hat. They are standing outside in a line. In the background there is a body of water and forested area.

Copies of 4 pages of handwritten personal diary from Ensign George P. Sotos composed on the day that WWII began. The blank parts of the text were removed by the military due to security instructions.

Exterior scene, James Pappas (Pappadopoulos) standing, shaking hands with unidentified Greek Officer. Celebration of Greek Easter in the Korean Demilitarized Zone (D.M.Z)

Chris N. Christopher seated upon wooden poles in foreground. Background shows rubble and destruction following atomic bomb expolsion in Hiroshima.

Chris N. Christopher in military attire standing next to entrance labeled " HQs 52 F.A. BN" and sign that reads 52 F.A.

Chris N. Christopher standing in front of sign that reads "Kakogawa (and additional information in Japanese characters: the sign says Kakogawa at the top in hiragana (phonetic) and kanji (chinese characters), then the two arrows point to different places: to the left "Hauden" and to the right, "Tsuchiyama" (Mount Tsuchi) The center characters are illegible). Exterior scene at train station. Other soldiers in military attire in background.

Formal portrait of Pvt. John Gatsakos, uncle of donor, in WWI military attire.

Formal portrait of Lt. Col. Peter A. Machinis, US Army Corps of Engineers during WWII.

Image of Ulysses P. Backas, ETM 3 Class, in US Navy black uniform.

Presentation of unit award to the Office of Strategic Services Greek/USOG group by the Raiding Forces and Sacred Squadron Club of Greece (represented with lapel patches) for their contribution on behalf of Greece during WWII. Accepting the award is Theodore Wm. Russell (in blue suit) Chairman of the reunion, Theophanes Strimenos (in light colored suit) and Robert Houlihan (in black suit).

Members of the Office of Strategic Services Greek/USOG group during 50th Reunion and members of the Raiding Forces and Sacred Squadron Club of Greece at the Tomb of the Unknown Solider in Athens. Theodore Wm. Russell at center holding plaque.

Members of the Office of Strategic Services Greek/USOG stand solemly before the Tomb of the Unknown Solider in Athens, Greece before laying a memorial wreath. In foreground, L to R: 1st Sergeant Theophanes G. Stirmenos, Theodore Wm. Russell, Commander Robert Houlihan

1st Sergeant Theophanes Strimenos, Theodore Wm. Russell, chairman of the Office of Strategic Services Greek/USOG group, and Robert Houlihan, company Commander, lay a wreath at the Tomb of the Unknown Solider in Athens, Greece Evzone in background at left, photographers in background at right.

Formal portrait of Colonel Peter N. Derzis in Army uniform

Formal image of Major General Dean Sangalis. He is dressed in his formal dress greens for the United States Marine Corps.

Portrait of Pilot office Steve Pisanos RAF at the Bournemouth Personnel Center, England waiting for assignment to an OTU (Operational Training Unit)

Pilot Officer Steve Pisanos R.A.F. of the 268th Fighter Squadron. Image of Officer Pisanos from mid-chest and up. Hands bent on hips.

Pilot Officer Steve Pisanos RAF of the 71st Eagle Squadron in cockpit of plane (Spitfire) just off a convoy patrol over the English Channel.

Pilot Officer Steve Pisanos of the 71st Eagle Squadron RAF standing with hands in pocket in front of his Spitfire aircraft.

Image of Spitfire aircraft XR-K. Steve Pisanos flew these types of aircraft while with the 71st Squadron RAF at Debden RAF Station

Lt. Steve N. Pisanos of the 334th Squadron, 4th Fighter Group in the cockpit of his spitfire aircraft having just returned from a strafing mission in France.

Lt. Steve N. Pisanos, 334th Squadron, 4th Fighter Group, returning from a B-17 escort mission to Germany, in the cockpit of his P-47 fighter plane.

Lt. Steve Pisanos, of the 334th Squadron, 4th Fighter Group, in cockpit of plane standing by waiting for take off on a B-17 escort mission.

Lt. Steve Pisanos of the 334th Squadron, 4th Fighter Group in leaning on wing of a P-47, QP-D "Miss Plainfield"

Lt. Steve Pisanos of the 334th Squadron, 4th Fighter Group, Standing by wing of his P-47, QP-D before take off on an escort mission.

Black and white photo of Lt. Steve N. Pisanos, 334th Squadron, 4th Fighter Group just back from a B-17 escort mission over Germany. He is sitting in his plane still dress in his jacket, hat, goggles, and oxgyn mask.

Lt. Steve Pisanos seated on the wing of a P-51B Mustang fighter aircraft QP-D. On return from escorting B-17s to Berlin, Germany.

4th Fighter Group pilots gathered during briefing in preparation for the first B-17 escort mission to Berlin, Germany. Lt. Steve Pisanos is seated, front, lower right corner.

Captain Steve Pisanos, Fighter Test Division, in cockpit of P-51D

Captain Steve Pisanos, Fighter Test Division, standing on the wing of a German captured FW-190, which Steve tested along with the ME-109 and ME-262 German fighters.

Captain Steve Pisanos, standing behind cockpit, and Captain Don Gentile, in cocktpit, both test pilots.

Formal portrait of Captain Steve Pisanos

Major Steve Pisanos preparing for flight on USAF F-106 HQ 27 Air Division. Posed with foot on ladder in full flight gear.

Lt. Colonel Steve Pisanos recieving the Air War College diploma by Major General Von Shores.

Colonel Steve Pisanos, at right, receiving the 3rd Legion of Merit by Colonel Don La Moine, Commander of the 308th Strategic Missile Wing

Formal portrait of Colonel Steve N. Pisansos, United States Air Force Chief, Air Force Mission for aid to Greece JUSMAAG

Formal portrait of Col. Steve Pisanos taken during his induction into the American Combat Hall of Fame at the Commemorative Air Force Museum in Midland, TX

Copy of framed portrait of Col. Steve Pisanos in cockpit of plane with image of plane below, that appears on the wall of the San Diego Air and Space Museum. Was presented during Col. Pisanos' induction in to the International Aviation Hall fo Fame.

Collage of images of and related to Col. Steve N. Pisanos "The Flying Greek" Autographed in pencil below typed name at top.

Photo collage of images related to the USAF career of Col. Steve Pisanos. Image of Pisanos' plane "Miss Plainfield" at top center. In the center of the photo is his name and nickname along with his number of confirmed take downs. Along the bottom are 4 pictures of Steve with his plane.

Color image of plane "Miss Plainfield" flown by Col. Steve Pisanos during WWII. The plane is a P-47 that he flew during the war QP-D. He had 6 victories with this plane and 4 with a P-51.

Color copy of image of Georgia Paulus Futris in military attire standing at front door of home.

Formal portrait of Georgia Paulus Futris and John Paulus (sister and brother) in military shirts.

Color copy of formal portrait of Nick Futris, P.F.C USMC in military attire. Original image was signed on lower right corner, " To My Sons Love Dad"

Image of P.F.C. USMC Nick Futris in military attire. Outside, with two additional soliders seen behind each shoulder. P.F.C. is seen wearing a Purple Heart medal.

Image of US Army Transport, soldiers on deck of sailing ship.

WWII United States Marine Corps Emblem belonging to John Paulus. Emblem depicts an eagle, globe and unfouled anchor. Screw back and pin for attachment.

Hamlin Canvas Goods Co. Masette bag, 1942. Bag used to carry mosqito netting in

mosquito netting (found inside musette bag) inorder to protect during his tour of the Pacific in WWII

This is a painting of a George Dilboy (1st "Medal of Honor" recipient of Greek descent) wearing a green military uniform and hat. He has three medals attached to his right breast pocket. The painting is matted on a cream background and framed in an intricate gold finished, wooden frame with a hanging wire attached to the back.

A program for a dinner in honor of Harry S. Truman hosted by the Federation of Hellenic Organizations of Illinois. The document contains the dinner menu, program, and information on Truman. On the cover of the program is a large color photograph of Harry Truman. The Federation is supporting the preservation of the Truman papers and the Truman Presidential Library. Maria Callas autograph on inside cover.

A black and white formal portrait of a man dressed in a military uniform. The picture is printed on a souvenir postcard. On the back there is greek writing, from what you can make out his name is Anthony and he is writing to his brother. He is standing in front of a building on a grate. One hand is holding onto a pouch that is attacked to his belt. The other hand is holding ont to a rifle, the butt of the rifle is resting on the ground.

A black and white formal portrait of a man dressed in a military uniform. The photo is on a souviner post card. On the back written in Greek he was writing to a beloved Aunt and Uncle. He is standing with one hand at his side and the other on his belt. The floor is a black and white checkerd pattern. The background is a backdrop of a staircase and a potted plant.

A Legion flag colored navy blue and gold, with gold tussel/fringe. The flag reads from top to bottom: George J. Hontos Post No. 1117 Chicago, Illinois (American Legion symbol) American Legion

This pillow case for an army mother from Camp Hulen in Texas features a poem surrounded by images of soldiers trainging. There are seven images of military life that surround the central words. There is a top row of images which from left to right are "Parade Rest," an Army insignia, and "Field Artillery Gun and Crew." Parade rest is a colored image of three long rows of soldiers standing in position. The army insignia has an eagle flanked by two long flowing american flags holding an olive branch and a cluster of arrows in its talons and a banner reading "E pluribus Unum" in its mouth. Above the eagle's head is a floating circle decorated with stars. The Field Artillery scene shows men around a large machine gun but not actively firing it. Just under this top register are the words "U.S. Army" in black outlined block letters. The orange color that once filled all (or at least part) of the letters has considerably faded. Directly below this, in smaller black letters is the poem which reads: "Mother There's a dear little house inviting in a dear little place I know. And a welcome is always waiting when to that little house I go. For there lives the dearest lady the sweetest I ever met. And today, if I cannot visit dear mother, I don't forget." Directly under the poem in fancy, gothic lettering is the name of the camp "Camp Hulen, Texas." The the left of the Poem is a scene labelled "Anti-Aircraft Gun and Crew." Again a group of soldiers stands around the weaponry but is not actively using it. To the Right is a picture labelled "Night Firing. Mechanized Cavalry." This is the only scene without any visible people in it. It is a row of 5 tanks which appear to be rolling towards the viewer. The next and lowestest register has three scenes. On th far left is a scene "Cavalry tank in action" which shows a tank about to descend a hill and four soldiers standing in the background. The middle scene has no label but is a single soldier walking along a camp with a series of ordered teepees and a flying american flag. The soldier has his gun resting on his shoulder. The last scene, in the bottom right hand corner, is "Field artillery in Action." This is the most active scene with a deep field so that there is one group of soldiers loading the machine gun and less clear groups of soldiers performing a similar task in the background. The orange stain might imply that this is not just camp practice but actually on a battle field. All of these scenes have been stained with a combination of orange (for the ground, teepees, and skin), brown (for uniforms, the eagle, and tanks), and a blueish green (for the clouds and trees). the stain has faded and smudged. The pillow case also looks to have discolored since World Wat II. Although it is unclear whether this fabric was originally white or whether it was always slightly yellowed. The second piece of fabric that would have held the pillow in has since been removed.

Pillow case dedicated to mothers of soldiers at Camp Chaffee, Arkansas. The pillow case is large burgundy square with gold fringe. The back sheet is white fabirc that is open on one side to allow the pillow to slide in. The front of the case is decorated with felt lettering and floral designs. The top and center is focused on the emblem of the "US Army" over an eagle holding an olive branch and arrows in its talons, a flag crest over its chest, and holding a scroll that reads "E pluribus unum" in its beak. However the felt has worn down so the bringht pinks, yellows, and oranges have blurred together and the details are hard to see. Just over the eagles head beneath the words is circle decorated with stars. Beneath the eagle insignia is a dedication to Army mothers bordered by three pink roses on both sides. The roses are in an identical pattern with a just opening bud at the top above two fully bloomed roses. The petals still hold some of their pink color but the stems and leaves have mostly lost their green. The dedication reads: "Mother To one who bears the sweetest name and adds lustre to the same who shares my joys who cheers when sad the greatest friend I ever had long life to her for there's no other could take the place of my dear mother" The very bottom reads "Camp Chaffee, Ark."

American flag. Possibly from George Hontos' interment. The white border portion of the flag, to which links have been attached so the falg can be clipped to a flag pole, has also been stamped with the words "5'x9 1/2' Philadelphia Q. M. Depot." Because it was issued in 1943 the flag only has 48 stars. The flag has been hemmed on the end with the stripes. The hem is now 21 inches but at the bottom a few of the stiches have come undone and the hem has fallen.

Cast iron memorial plaque for George J. Hontos presented by the American Legion post # 1117 named after him. The plaque is pentagonal with a rectangular base and pointed top. Just under the peak is a star on a laurel wreath. Underneath the wreath the dedication is written in large metal letters raised so high off the plaque's face that they are very easy to read. The dedication reads "In memory of George J. Hontos presented by Geroge J. Hontos Post 1117 American Legion". The name George J. Hontos is written in the largest letters. There are two identical squares on the back of the plaque with holes where a scew could be attached.

Purple heart medal from World War II. This medal is composed of two parts; a purple ribbon with a thin white border that loops through a gold heart shaped medal. The medal portion has a gold image of George Washington in profile on a purple field. On top of the heart is a medallion of red & white stars & stripes framed by two green laurel branches. The back of the medal reads "For Military Merit" in embossed gold and bellow it, in black lettering "George J. Hontos." At the top of the heart is the mirror image of the medallion on the other side but only in gold.

OCTAGON SHAPED MEDAL - W/OAK AND LAREL BRANCHES AROUND A U.S. MEDALLION & A BAR W/ NAME GEORGE J HONTOS HANGING FROM RED-WHITE STRIPPED ON BLUE BACK GROUND ON BACK AN ENGRAVED EAGLE ON A SCROLL W/ 13 STARS.

This medal is composed of an iron cross with hanging bars denoting skill achievemnts. The honors, in descending order, are Marsksman, Gunner, Rifle, Coast Arty (Artillary). The Cross forms a square with all four arms, triangular in shape, tapering so that they are skinniest closest to the rounded center and widest at the edges. The four bars hand from iron links; each bar has two holes on each side through which links can be attached. The cross and the bars all have smoothed raised edges and the letters are smooth as well but the slightly recessed faces are textured. On the back of the cross there is a pin to attach the badge to a uniform

Black and white photograph of Cornelia Hontos accepting the Soldier's Medal in place of her deceased son, Pvt. George J. Hontos. On the left side of the photograph is James Hontos, George's father, and on the right side is an unknown United States military official.

Black and white photograph of Cornelia Hontos accepting the Soldier's Medal in place of her deceased son, Pvt. George J. Hontos. In the center of the photograph is James Hontos, George's father, and on the right is an unknown United States military official.

Black and white photograph of George J. Hontos standing in his army uniform in the "at ease" position (legs shoulder-width apart, left arm clasped behind back) while holding a rifle. Hontos is standing at a three-quarter angle to the camera, facing left. His right arm is straight, holding the barrel of the rifle away from his body, its stock on the ground. The image is cropped at his ankles. There are several two-story buildings (barracks?) in the background and a grassy patch of lawn. Hontos is standing on a lighter patch of ground or cement. Image itself is 7.875 x 6 in. with a 1 inch white border all around.

A telegram from the secretary of war to George J. Hontos' mother, Cornelia Hontos, informing her of her son's death. Hontos was killed by a Nazi landmine on May 24, 1943, in Tunisia. The telegram is addressed in all caps type on three lines: "C.WB342 WMUA 48 47 GOVT=WMU Washington DC 17 415pm, Mrs Cornelia Hontos=, 3721 North Albany Avenue Chicago illinois=". Message typed in all caps on six lines: "The Secretary of War desires that I tender his deep sympathy to you in the loss of your son Private George J Hontos report just received states that he died on twenty four may in North African area as result of wounds received in action letter follows= UL10 The Adjutant General." Above the message is a blue rectangle with the Postal Telegraph company logo. A "received at" box is to the left of this logo, but the time and date have faded and are barely visible. To the right is a box with 8 lines of small text stating it is a full rate telegram. The number "66" is handwritten over this box. The telegram shows a deep horizontal fold and two vertical folds. The edges are worn, with small folds and tears at the left and top edge. There are three small holes in the top right corner and six in the left corner that might have been from staples. Each line of text in the message appears to be taped on, and this tape is peeling back by the word "follows". In the bottom right corner of the front "VYT" is handwritten in pencil. A small watermark on the back about 2.5 inches from left edge and 1.5 inches from bottom. Some yellowing on right edge.

A postcard sent from George Hontos to his parents. On the back, it is hand-addressed in script to "Mr. + Mrs. Hontos. 3721. N. Albany Chicago Ill." (3 lines) Message on the left, handwritten in script, says: "Arrived. O.K. and every thing is fine. If any letter comes from Guy kept it till latter. Don't worry" (6 lines) in ink and: "Leaving clled for Camp Wallis Texas" (2 lines) in pencil and: "Geo." in ink at the bottom. Circular Chicago postmark stamp in top center: "Jan 15, 2 30 PM, 1942." At right above the printed words "POST CARD" and handwritten address is a rectangular stamp that says "BUY DEFENSE SAVINGS BONDS AND STAMPS." A green "U.S. Industry-Agriculture for Defense" 1 cent stamp with the Statue of Liberty is in the upper right corner, slightly askew. A vertical line of printed text in the center of the postcard reads: "Genuine Curteich-Chicago "C.T. Art-Colortone" Post Card (Reg. U.S. Pat. Off.)" in all caps. Vertical line of printed text at left edge reads: "C.T. ARMY COMICS". On the front of the postcard is a cartoon depicting two soldiers carrying large artillery rounds (at right) with three other soldiers manning a cannon in the background (at left). One of these soldiers, standing to the left of the cannon says "Hurry up!" (the words are inside a small text bubble is over his left shoulder). One of the men carrying an artillery round replies "Hey! Don't shoot so many --- my back is almost busted carrying these blankity things - D---!" In the left corner is a brown and black dog. Three more cannons are firing in the background, with smoke clouds and the words "BOOM" coming from their barrels. Postcard is very colorful. The sky at left is bright orange, and the cannons are set on a low green hill with yellow-brown foreground. Behind the two men carrying rounds is a large green cloud with the larger text bubble inside it. Under the image, the postcard sequence number "1B-H453" is printed in the bottom right corner and "© CURT TEICH & CO., INC." is printed in the bottom left corner. Above the image in the top right corner is printed "USA-21" in italics.

LETTER FROM ARMY _ RE. SOLDIER'S MEDAL

CERTIFICATE OF U.S.A TO HONOR THE MEMORY OF GEORGE J HONTOS FOR HIS SERVICES TO ARMED FORCES OF UNITED STATES, SIGNED BY JOHN F KENNEDY

CORRESPONDENCE FROM WAR DEPARTMENT OF USA TO GEORGE J HONTOS FATHER REGARDING THE BURIAL LOCATION OF HIS SON GEORGE J HONTOS.

Letter from the Chief of Staff of the War Department to George Hontos' mother, Cornelia Hontos, offering condolences. Letter reads in 16 lines of type: "July 9, 1943. Mrs. Cornelia Hontos, 3721 North Albany Avenue, Chicago, Illinois. My dear Mrs. Hontos: Words can be of little consolation at this time of sadness, but I want you to know that you have my heartfelt sympathy in the loss of your son. George Hontos has made thegreat contribution to the American way of living. He died while serving as an American soldier and his sacrifice will not be forgotten by those who are determined to bring this terrible struggle to a victorious conclusion. Again, my deepest sympathy. Faithfully yours, ('G Marshall' in script) Chief of Staff." Letterhead reads "War Department, Office of the Chief of Staff, Washington" in all caps.

LETTER OF CONDOLENCE TO CORNELIA HONTOS FOR THE LOSS OF HER SON GEORGE J. HONTOS BY THE GOVERNOR OF ILLINOIS, DWIGHT GREEN.

Letter from United Greek Orthodox Church of Chicago to the Newspaper, George J. Hontos Mermorial Services and Honor of his purple heart to his parents on Mother's Day.

ATLANTIS - NEWSPAPER ARTICLE ABOUT MEMORIAL SERVICES OF PVT. GEORGE J. HONTOS WHO WAS KILLED IN TUNISIA DURING WWII.

ANNOUNCEMENT ABOUT MEMORIAL SERVICE OF PVT. GEORGE J. HONTOS WHO WAS KILLED IN TUNISIA DURING WWII.

NATIONAL HERALD ABOUT THE HEROIC DEATH OF PVT. GEORGE HONTOS WHO WAS KILLED IN TUNISIA DURING WWII.

NEWSPAPER CLIPPING-ANNOUNCEMENT OF SIX-MONTH MEMORIAL SERVICE OF PVT. GEORGE J. HONTOS WHO WAS KILLED IN TUNISIA DURING WWII.

CHICAGO HERALD ARTICLE RE: PRESENTING OF PURPLE HEART & SOLDIER'S MEDAL TO HISS PARENTS.

CHICAGO HERALD ARTICLE RE: PRESENTING OF PURPLE HEART & SOLDIER'S MEDAL TO HISS PARENTS.

PICTURE DEPICTING THE PARENTS OF PVT. GEORGE J. HONTOS WHO WAS AWARDED WITH THE PURPLE HEART.

ARTICLE IN CHICAGO SUN RE. POSTHUMAS AWARD OF SOLDIERS MEDAL.

ACKNOWLEDGEMENT PRES. FRANKLIN D. ROOSEVELT RE. DEATH & SERVICE OF PCT GEORGE HONTOS.

LETTER FROM MAJOR GENERAL ULIO TO MOTHER AWARDING SOLDIER'S MEDAL.

Letter priest at St. Demetrius from army area commander Re: Awarding of Soldiers Medal Ceremony.

LETTER PRIEST AT ST DEMETRIUS FROM ARMY AREA COMMANDER RE: AWARDING OF SOLDIERS MEDAL CEREMONY.

DISPOSITION OF ALL EFFECTS OF GEORGE HONTOS FROM ARMY QUARTERMASTER.

LETTER WRITTEN TO CHICAGO TRIBUNE BY THE PRESIDENT, BOARD OF TRUSTEES WHO ASKS THE CITY EDITOR TO WRITE AND PUBLISH AN ARTICLE AND PICTURE OF THE HEROIC DEATH OF PVT GEORGE J. HONTOS WHO WAS KILLED IN TUNISEA DURING WWII.

LETTER FOR CAMP WALLACE (TEXAS) CHAPLAIN TO GEORGE HONTOS RE APPT AS COUNSELOR & FRIEND.

CORRESPONDENCE OF WAR DEPARTMENT TO THE MOTHER OF PVT GEORGE J. HONTOS. LETTERS NOTIFIED MRS. CORNELIA HONTOS ABOUT SOLDIERS MEDAL AWARDED TO HER SON GEORGE J. HONTOS WO WAS KILLED IN TUNISIA DURING WWII.

Newspaper article about the parents of Pvt. George J. Hontos Receiving a medal and the purple heart awarded post humoursly to their son who was killed in Tunisia during WWII.

AN ARTICLE IN THE 'SALONICA GREEK PRESS' NEWSPAPER ABOUT A MEDAL AWARDED TO PVT. GEORGE HONTOS FOR HIS MERIOC DEATH IN TUNICIA DURING WWII. SOLDIRS MEDAL WAS PRESENTED TO MRS. COMELIA HONTOS, GEORGE'S MOTHER.

SALONICA GREEK PRESS NEWSPAPER CLIPPING ABOUT THE HEROIC DEATH OF PVT. GEORGE J HONTOS WHO WAS KILLED IN TUNISIA DURING WWII.

Newspaper article about Pvt. George J. Hontos.

MEMORANDUM OF PAYMENT OF $39.84 TO GEORGE J HONTOS BY THE ARMY FO UNITED STATES OF AMERICA. PVT GEORGE J HONTOS WAS KILLED IN TUNISIA DURING WWII.

A newspaper article announcing George J. Hontos funeral service. It also describes his death in Tunisia and his family's acceptance of his Purple Heart and Soldier's Medal.

Portrait of George Papageorge in military uniform. George is standing outside in front of a white building most likely the barracks. He is standing at ease, with one hand behind his back and the other holding the top of a rifle. The butt of the rifle is resting on the ground next to his foot.

Color processed picture on photo paper. Subject is a young man in military uniform. He is wearing a brown hate with a large brim and a regulation brown army shirt with his collar popped up, buttons down the front, and two pockets on the breast. On his left breast, there is a gold medal in the shape of a five-pointed star in a circle hanging from a red and white striped ribbon. He has dark hair and dark eyes and is looking at the camera. The background is dark green.

Black and white panoramic view of the city of Alatsata, Asia Minor, Turkey. The town's architecture is laid out on the center horizon of the image, below tall hills. Small buildings representing windmills are visible at the top of several of these hills at center and right. In the foreground is a wide valley. Several landmarks are labelled on the panorama with circled numbers. Below the image, in the left corner, there is a map legend in Greek. There is an English legend in the bottom right corner that reads: "1. Cathedrical Church, Annunciation of Virgin Mary 2. Holy Trinity Church 3. Church of Saint Constantine 4. Public Schools 6. The Government House and the City Hall 7. The Mosque, formerly the Church of Saint George transformed to a Turkish Mosque in 1801. 8. The Mountain Kara-Dag Notice-- The Buildings on the hills are Windmills." (8 lines) At top center above the panorama is an oval-shaped portrait of George Dilboy in a button-down shirt with the collar turned up and a wide brim hat. His head, shoulders, and chest are visible in front of a plain backdrop. He has a ribboned medal pinned to his left shoulder. To the right of the portrait is a caption in 3 lines in English: "GEORGE A. DILBOY, one of the 10 greatest heroes of the World War. General Pershing" To the left is a second caption in 3 lines in Greek. Above the panorama, further right of the English caption is a block of text explaining number 5 on the map. It reads: "House where GEORGE A. DILBOY was born in April 1895 of Greek parents. Arrived in America in 1909 enlisted in the U.S. Army in 1911 and saw active service in U.S. in the Mexican War. Being honorably discharged re-enlisted in the United States Army, Company H, 103 Infantry, 26 Division, in 1917. Saw service in France. Killed in action, July 18 1918, at Belleau Woods. Awarded the Congressional medal of honor for heroism above and beyond call of Duty. On July 1922 the U.S. Government excavated his grave and shipped his remains from France to his birthplace ALATSATA for burial. And on August 1923 after the Smyrna Disaster, the U.S. Government reshipped his remains and buried them in the Arlington National Cemetery, U.S.A." This text is mirrored in Greek on the left side, further left than Greek portrait caption. (9 lines in English and 10 lines in Greek.) In the top left corner is a medallion image with a Greek and English label to its right: "The Emblem of the benevelont Association Alatsateon "THE BEACON OF ERYTHREA", founded at 1918 and reorganized at 1935." (3 lines in Greek with 3 lines in English below.) In the top right corner is a rectangular image of a white building with electrical tower and power lines in front, label to the left reads "Radiographic Station Built in 1911 -- Height 285 Feet" (3 lines in Greek with 2 lines in English below). Centered below the panorama are 4 lines of Greek text with 4 lines of English translation below that read: "General View of City of "ALATSATA", State of Smyrna, Asia Minor, Birthplace of the World-War hero GEORGE A. DILBOY. This picture was taken in 1914 before the expatriation, with population of 18 thousands. To-day only wreckages remain, results of the World-War." To the right of this text are 5 lines of smaller text that read: "Inspiration of the Association of Alatsateon "THE BEACON OF ERY_THREA" in Somerville, Mass. 77 Linwood Street 1935". This text is repeated in 5 lines in Greek to the left of the larger text.

Reprint of a photo taken in 1913 of a soldier. The photo has had color added, as well. The soldier is wearing red shoes with black pompoms on the end with a green military uniform. He is holding a gun in his right hand and has a sword at his left hip, as well as a knife through his ammo belt around his waist. The gun is a bolt action rifle. He is also wearing a green hat. There is a white edge on the left of the photo. The back of the photo says "Kodak: Official Sponsor of the Olympic Games" with the rings under it, which dates this copy from 1995 to 1997. There is also a rectangle with a hand that reads "Kodak Image Magic Paper."

Color photograph of a group of men. They are sitting around a square table with a white tablecloth. All are wearing military uniforms with medals on their left sides. There is a cane hanging off one side of the table and a red umbrella on the other. The first man is wearing a blue tie, while the next is wearing a black. The next man's uniform appears to be more of a grey color, and he is wearing glasses. The last man is wearing a black uniform. There are windows in the background, and a group of people sitting around another table. The back of the photo reads "13-0A."

Color photograph of a group of people standing around a buffet table. There is a woman with black and white zigzag dress and glasses, a man in a grey suit, a man wearing a red and white checked jacket with a red sash, another guy in a grey suit, and a woman in a black dress with a white vest. In the background on the right, men in military uniforms can be seen sitting at a table. The buffet occupies the front right corner of the photograph. The back of the pictue is labelled "13-1A."

Color photograph of people walking in a parade. On the left and right sides, there is a row of boys wearing dark blue uniforms with yellow handkerchiefs around their necks. The boy in front of the left column is holding a yellow, red, and blue flag. there is a man in a green military uniform in the front. Behind the boys, there is a crowd of women in traditional dress. The back of the photo reads "3-12"

Color photograph of people in a parade. There are three men dressed in blue military uniforms with black hats and white gloves. The one on the left is carrying an American flag. The one in the middle has a rifle on his right shoulder. The one on the left is carrying a white flag. The back of the photo says "3-5"

Portrait of individuals dressed in costume to celebrate Apokeratiko Glendi. 1st Row: Sam Godellas, Chris Lamberes, Tony Lamberes, Tommy Garikes, Dolly Godellas, Assimo Garikes, Fanny Chareas, Kalliopi Djikas, Art Garikes, Pete Godellas 2nd Row: Dena Tsakiris (Thanas), Barbara Garikes, Philip Molaitis, Tasia Lamberes, Mrs. Godellas, Alexandra Paramboukas, Tom Garikas 3rd Row: Unknown, Same Tsakiris (Thanas), Vasilliki Djikas, Andronike Molaitis, George Garikes, Mr. Godellas, Mrs. Chareas, Unknown 4th Row: Mike Garikes, George Lamberes, Louie Djikas, Steve Paramboukas, Unknown, Unknown, Stanley Chareas, Constandinos "Gus" Tsakiris (Thanas)

Formal portrait of George Garikes in WWI Military attire. George is sitting in a chair with his legs crossed. One hand is resting on his leg and the other is resting on the chair.

Black and white photograph of a group of men in uniforms with medals and hats. In the center is what appears to be a cook seated alongside other uniformed men.

Black and white photograph of two men in the middle of a road. The one on the left is in a suit and hat while the one on the right is in a full uniform. A trolley passes by on the right. 

A copy of a black and white almost sepia colored portrait of Constantinos Spanos in his WWI uniform. The background is a wall with a walk out window. There are plants and drapes around the window. Constantinos is standing with both of his hands infront of him.

A sepia tone picture of a young girl in military clothes. She has long hair, is wearing a hat, and is holding a gun. There are bullets across her chest. There is a sword in her waist band.

A black and white portrait of a young man sitting in a military uniform. The background is out of focus. The photo is printed on a souvenir postcard, on the back there is greek writing. He is writing to his cousin Eleni.

A black and white portrait of a four men dress in military uniforms. Two of the men are standing on is sitting in a chair, and the other is half way sitting on a table. The man sitting in the chair has his legs crossed and one hand laying over the other. The man half sitting has one leg resting on the table and his hand is lying over the other. One of the men standing has his arms folded across his chest. And the other has his hand in front of him. The picture is on a souvenir postcard. There is greek writing on the back.

Black and white photorgaph of Mr. George P. Gavaris. Crowed room with people lined on both sides of the hallway. There are four men walking down the aisle with one woman. Two out of the four men are dressed in military uniform. At the top in the background it says U.S.O Lounge. The people on the sides are clapping as these people walk by.

Black and white photo of a soldier dress in U.S. military uniform. He is standing, holding a rifle in both his hands. In the background there is a tent two flags and a military vehicle. The background looks to be a painted backdrop.

Black and white photo of a soldier dress in American legion uniform. He is standing sideways holding a gavel in one of his hands. He is standing at a desk with two small flags one an American flag, the other an American legion flag. In the background there is a large poster of American Legion conduct.

Black and white photo of a soldier dress in American legion uniform. He is standing holding a gavel in one of his hands. He is standing at a desk with two small flags one an American flag, the other an American legion flag. In the background there is a large poster of American Legion conduct.

Bronze replica of George Dilboy monument. The replica is golden colored, with black showing in a few places. The man depicted in the statue is wearing a military uniform with a pack on his back, a gun in his hands, and a hat on his head. The base of the replica reads "George Dilboy" and is underlined. The bottom has a description of the monument (which can be found in the Provenance) on a reddish piece of paper.

Black and white photo of Sotiros Horigas in Greek Army during Balkan War. Sotiros is standing dressed in his military uniform. He has both his hands placed on his hips. The background is a painted tapistry of castle like buildings with a canon.

Black and whtie portrait of John Lucas Katsikas. John is dressed in his dress U.S. Army uniform. The portrait is about stomach high, he has his arms crossed and his smiling. The background is blank.

A black and white portrait of two men standing in front of a backdrop. They are wearing dress military uniforms. The man on the left is Christ Ladis, the other is unknown.

Digital image of John Malapanis in military uniform. Bulgarian War and returns to fight in 1912

Formal Portrait of brother Tom Malapanis in Greece in military uniform

Black and white portrait of John Peter Bouris. John is dress in his military dress uniform. The photo is chest up, he has his hat on and no smile.

Black and white photocopy of John Peter Bouris dressed in military uniform saddled on a horse that is rearing. In the background there is a mountain, trees, and a building. Looks like John and the horse are in a dirt field.

Three young men posing in front of buildings on sidewalk. All three men in various military attire.

Formal portrait of Tom Kintis in military uniform

U.S. Army Air Coprs. dress blue jacket. The jacket is a dark army green made out of wool. On the bottom right sleeve there is an patch signifing radio operator. On the the left sleeve there is a patch for the 8th Air Force. On the middle of each sleeve there is a Sergeant First Class chevrons. There are four pockets on the front, two breast pockets, and two on the bottom.

U.S. Army Air Coprs. dress blue shirt. The dress shirt is a dark army green made out of wool. On the bottom right sleeve there are buttons to roll up the sleeves. On the middle of each sleeve there is a Sergeant First Class chevrons. There are two breast pockets, above the right pocket there is a dark green patch with a golden eagle in it.

U.S. Army Air Coprs. brown leather bomber jacket. The jacket has a zipper up the middle with a leather flap that folds over. On the left side of the jacket in gold letters it says "CHRIS". Under his name there is a yellow, green, and red patch. The patch is a picture of a bomb falling that has wings. Behind the bomb falling there is a group of planes in formation. Under the patch there is a silver pin of wings and in the middle of the wings is a plane propeller. On the right side of the jacket there are 21 gold painted bombs. Most likely signifying completed missions. On the back of the jacket in gold painted cursive it says Hell's Belle.

Round, brown leather, bomber hat. The hat covers from the forehead hair line to the back hair line. It also covers both ears. Where the hat covers the ears there are black plastic cuffs with a hole. Under the ears there are two snap's and a string to tie under the chin. The inside is made of a yellow softer material. There is extra padding around the ears. There is a black tag sewen in with the type, spec., size, P.O NO, and property off. By the left ear there is a stamp for the Army Air Corps.

Dark green wool military cap. The garrison cap is folded and the hem comes up half way. On the right front there is another fold in the corner. In the inside there is black letters printed "K2043." there is also a cream tag sewed into the cap.

Circular military patch. The background is blue with a white star and a red circle in the white star. On top of the star there are gold wings.

Circular military patch. The back ground is half white and half blue. There is a triangle in the middle, the top half of the traingle is red and the bottom half is whtie. Around the circle the edge is a dark green.

Triangle military patch. The background is a bright royal blue. There is a ladder and some lightening bolt.

Triangle military patch. The background is a bright royal blue. There is a ladder and some lightening bolt.

Small, brass, military pin. The pin is of the letters U.S. There are two pin covers attached.

Metal military pin. The pin has two wings out stretched, and attached in the middle is a propellar from a plane.

Black and white photo of Greek American soldiers in Chanute Field, IL with Father Nestonides and Father Karras. The men are standing around together in front of a house. They are in their military uniforms and the Fathers are dressed in a black suit with their white collars. Chanute field was established in 1917.

Certificate For his placement in the Gendarmerie The Conscription Office of Kalamata Certifies that Stamatis Vlahopoulos of Epaminondas, conscript year 1932 MRN 77699 born in Krounes, Olympia, Messenia, underwent the following changes to his military record: 1) October 6, 1932, The No. 157 Conscript for the 9th Infantry Division was deferred 2) September 29, 1933, conscripted following his deferment to the 9th Infantry Division 3) May 25 1934, was transferred to the Armored Battalion 4) November 27, 1934, received furlough 5) December 27, 1934, was discharged by the Armored Battalion and his behavior was excellent. From the above changes it is derived that he fulfilled all of his military obligations and no monetary obligation exists and he was not discharged due to physical health issues, deferment or as auxiliary. This document is issued following his request and is to be used in his placement in the gendarmerie. Kalamata, on February 26, 1935 The Director The Department Director [Signature] [Signature] [ROUND INK SEAL]

Gymnasium of Selinounta School Year 1935 - 1936 Registry No. 430 Year of birth 1911 Number [illegible] 73 Students 12 Certificate The student Stamatios Vlahopoulos of Epaminondas born in Krounes (Risovo) of the Prefecture of Messinia, father deceased, was registered for the year 1924 - 1925 for the Third year of the disbanded Greek school at Selinounta (Krestaina) under Registration No. 57. The hereinabove student was absent from school starting on November 8, 1924. His behavior was excellent. This certificate is issued at the request of the applicant and is to be used for his used in his placement in the gendarmerie. In Selinounta, October 17, 1935 The Principle [Signature] [Round Ink Seal - Gymnasium of Selinounta]

Two metal dog tags and two small keys on chain. Two tags read " Maragos, Samuel C 0-1338484 T45 0 GO" Small gold key reads " Chicago Lock Co. Chicago, ILL 1197" Small silver key reads "8989" (USA Excelsior (on reverse))

Black and white photo 7 US Army WWII soldiers posing casually outside of military barracks. Samuel Maragos, second from left. They are dressed in their casual uniform, looks to be warm outside possibly summer. In the back left there is a soldier leaning in the doorway of the barracks.

Black and white photo of 4 US Army WWII soldiers posing with rifles. Sam Maragos second from right. Their rifles are resting on their shoulders. They are dressed in their casual uniform and are standing in front of the barracks.

Black and white photo of Samuel Maragos standing "at ease" with rifle in front of military barracks. He is wearing casual uniform with his helmet.

Sepia tone photo of a Formal portrait of US Army WWII soliders. Samuel Maragos is located in second row, second from right. There are four rows of soldiers standing "at ease". Behind them there is a building with a chimney.

Formal portrait of US Army WWII soldiers in formal military dress attire. Lt. Goldberg at front row center, Samuel Maragos second row, third from right. Exterior scene with a tree line in the background. Looks to be winter.

Formal portrait of US Army WWII soldiers on steps of Amherst College. In formal military dress attire. Samuel Maragos in second row, at left side. Last name of each soldier depicted typed at bottom of image.

Black and white Formal portrait of Samuel Maragos in US Army military dress attire. He his sitting the portrait only goes down to his stomach.

Portrait of un-identified male in Greek military uniform. Formal portrait posed next to bouquet of flowers at left.

Two males in Greek military uniforms, seated, in exterior scene. Nikolaos Eliakopoulos, at left, from Loutro, Messenia, and un-identified male. Serving in Greek Army during Balkan War.

A black and white photograph of a man in his military uniform holding a rifle across his body. He is wearing boots, pants, a military shirt, and a hat. He is standing in a field with some houses in the background.

A black and white photograph of a man in his military uniform holding a rifle in the air like he is going to shoot. He is wearing boots, pants, a military shirt, and a hat. He is in a field with houses in the background.

A black and white photograph of a man in his military uniform holding the rifle that is standing on the ground. He is wearing boots, pants, a shirt, and a hat. He is in a field with houses in the background. On the back of the picture is says "Osborn, Delmas Delphin."

A black and white photograph of a man in his military uniform holding the rifle at his chest and in the air like they do when they are marching. He is wearing boots, pants, a shirt, and a hat. He is in a field with houses in the background.

A black and white photograph of a man in his military uniform holding the rifle across his chest. He is wearing boots, pants, a shirt, and a hat. He is in a field with houses in the background and there are a couple men walking.

A black and white photograph of a man standing with a rifle standing on the ground and he is holding the top. He is wearing boots, pants, a buttom up shirt, an army hard-hat, and a bet with pockets held up by suspenders. Behind him is a house with a window on one side.

A black and white photograph of three men in their military uniforms. They are wearing pants, a button up shirt and hats. The one in the middle is smoking a cigar and the three men are linking arms. Behind them is a house and another building to the side. On the back of the picture it says "A couple of the boys. Osborn in the middle, Jorqenscn to the right, Pick them young both over 36."

A black and white photograph of two men in pants, long sleeve button up shirt, and their military hard-hats. They are linking arms and behind them is a house with double doors and a window.

A black and white photograph of two men in pants, long sleeve button up shirt, and holding their military hard-hats. One man has a belt on with the pockets being held up by suspenders. Behind them is a house with a large window. The bottom right corner has faded away and is white.

A black and white photograph of a man kneeling down on the ground with a house in the background. He is wearing boots, pants, long sleeve shirt, a backpack that straps around the waist and over the shoulders. He is also wearing a military hard hat.

A black and white photograph of a man holding a rifle like he is going to shoot. He is wearing boots, pants, a long sleeve shirt, and a hat. He is standing in a field with houses in the back. The picture is fading away on the bottom and sides.

A black and white photograph of two men kneeling down on the ground and pointing their guns at the photographer. The one on the left has a darker colored uniform on and is wearing glasses. The other is wearing lighter colors and has a hat on. The background is houses.

A black and white photograph of two men standing outside of a house in their uniforms with their rifles. The man on the left looks like he is laughing and is wearing a backpack that straps around his waist and over his shoulders and the hard hat. He is holding the gun down pointed in the direction of the other man. The other guy is in the same uniform with the backpack and is holding the rifle across his chest. On the back it says "Camp P1K."

A black and white photograph of a man in his military uniform with his hard hat and rifle strapped around his shoulder. He is in a open field with a few trees in the background. There is a black dot on the left side in the middle.

A black and white photograph of a man in his military uniform with his hard hat and holding his rifle across his chest. He is in a open field with a few trees in the background.

A black and white photograph of six military men looking at a piece of paper. The man on the left has shirtless, next to him the guy is in a hat and long sleeve shirt, next the guy is wearing a hard hat, the middle guy is wearing long sleeve shirt and a hat while smoking. The guy on the very right is in a hard hat and the one next to him does not have a hat on.

A black and white photograph of five military men in front of a house. In the front row one is sitting on a chair and the other is squatting on the ground. They both have the pants, long sleeve military shirt, and the hats. In the back row on the left the guy is putting one foot on the chair and leaning in. He is wearing the same uniform but does not have a hat on. The man in the middle is wearing a hat with the uniform and the guy on the other side is wearing a different looking uniform, no hat, and is wearing glasses.

A black and white photograph of seven military men. In the middle there is a man sitting on a chair, he is wearing pants, long sleeve shirt, and hat. On the right the man is wearing a military uniform with the backpack that straps around his waist and shoulders, a hard hat, and is holding his rifle across his chest. The next man is in a military uniform with a hat, next to him is the guy in a different military uniform with glasses. On the left side there is a man in the pants, long sleeve shirt, and hat and next to him the man is wearing a hard hat, backpack that straps around his waist and shoulders, and is holding a rifle across his chest. Next to him in the middle is a man in the pants, long sleeve shirt, and no hat. In the background there are houses.

A black and white photograph of a man in his military uniform holding his gun like he is shooting. He is wearing pants, a long sleeve shirt, a hard hat, and a backpack that straps around his waist and shoulders. In the background there are houses.

A black and white photograph of a man in his military uniform kneeling on the ground holding his rifle like he is shooting the photographer. He is wearing pants, a long sleeve shirt, a hard hat, and a backpack that straps around his waist and shoulders. In the background there are houses.

A black and white photograph of a man in his military uniform standing in front of a house and saluting. He is wearing boots, pants, a long sleeve button up shirt, a hard hat, glasses, and a backpack that straps around his waist and shoulders. The paper is very thin and some stains along the sides.

A black and white photograph of a man in his military uniform in a act position holding his rifle by his side. He is wearing boots, pants, long sleeve shirt, a hard hat, and a backpack that straps around his waist and shoulders. In the back there is a house with double doors.

A letter written in Greek on a piece of paper that has an eagle with a star above it and "United States Army Camp Swift, Bastrop, Texas" on the top of the page.

A black and white photograph of a man in military uniform sitting on a stone wall. He is wearing pants, a military jacket, a hat, and sunglasses. The stone wall goes half way up the picture and on top there is a wood fence and a tree.

A black and white photograph of a man in military uniform standing in front of the Alamo. He is wearing dark pants, a jacket, and hat. The building in the back has an arch door way and several small windows. The picture was cut with a design on two of the sides.

A black and white photograph of a man in military uniform standing in front of the arch doorway. He is wearing pants, a jacket, and a hat. He is resting one arm on the pillar. The picture is fading and the sides are losing its color. On the back it says, "Alamo."

A black and white photograph of three men in military uniform. The picture is faded and losing its color. They are all wearing pants and a military jacket. The two on the left have one type of hat and the third has a bigger hat. The guy in the middle has his arms around the other two. There is a building in the background.

A black and white photograph of two men in military uniform. The picture is fading and losing its color. Both are wearing pants, a military jacket, and hat. The guy on the right has his hand on the other guys shoulder. They are standing infront of a building.

A black and white photograph of three men in military uniform. The three are wearing pants, a military jacket, and hats. They are standing in front of a large statue but you can only see the bottom of it. There are srubs along the bottom of the statue. The sides of the picture are fading and it is losing its color.

A black and white photograph of three men in military uniform. The three are wearing pants, a military jacket, and the man in the middle has a large hat with the other two have smaller hats. The two on the left are crossing their arms and the other has his arms to his side. They are standing in front of the Alamo. On the back of the picture it says, "Alamo."

A black and white photograph of three men in military uniform. The three are wearing pants, a military jacket, and the man in the middle has a large hat with the other two have smaller hats. The man in the middle has his arms around the other guys and the other two have their arms at their sides. They are standing in front of a building.

A black and white photograph of three men in military uniform. The three are wearing pants, a military jacket, and the man on the one side has a large hat with the other two have smaller hats. They are all crouching down and they are in front of the Alamo. On the top there is some blue color. On the back it says, "James Kavouras, Myself, Ted Parusis Alamo March 1943."

A black and white picture of a man standing in front of a tree and some bushes. He is wearing a military uniform and a sombrero-like hat and is crossing is arms.

A black and white photo of a man and little boy. The man is squatting down by his son, who is standing with a gun in his hand. The man is in his military uniform, pants and a long sleeve shirt. The boy is wearing a button up coat and shorts with tall socks. They are both wearing a hard-hat. Behind them is a house with a large window and some plants.

A black and white photo of a man standing in a yard with an open umbrella over his shoulder. He is wearing his military uniform and hat. Behind him there are houses, one with its roof being done, and a small shed-like building. He is standing with his one hand on his hip and smiling for the camera.

A black and white photo of two men standing in a yard. They both have military uniforms on, pants and a long sleeve shirt with a hat. The one on the left has bullets across his chest making an "X," and the other has a white strap around his upper body. Behind them is a shed-like buidling and the side of a brick house.

A black and white photo of a man standing in a yard in front of a house and there are two young children standing in the open doorway. He is wearing a military uniform, pants and a long sleeve shirt. The two children in the back are wearing dark coats. Behind him is a brick house with some windows and plants around. On the back it says, "Gilmore."

A black and white photo of three men in military uniform standing in front of a house. The man on the left has a military jacket on, the one in the middle is wearing a hat and has his arms around the other two. Behind them is an open doorway, brick house, and wood posts coming out of the house.

A black and white photo of a man standing in front of a house. He has his hands on his hips and he is standing a few feet from the open doorway. He is wearing boots, pants, belt, and a long sleeve shirt. Behind him is a brick house and plants.

A black and white photo of a man standing in front of a house. He has his hands behind his back and he is standing in front of some plants. He is wearing boots, pants, belt, dog tags, glasses, and a long sleeve shirt. Behind him is a brick house, plants, an open doorway, a window, and two feet hanging off the roof.

A black and white photo of a man standing in front of a house. He has one hand behind his back and the other at his waist. He is wearing boots and a military uniform. Behind him is a brick house, plants, and a window.

A black and white photo of a man standing in front of a house. He has his hands behind his back and is standing in front of an open doorway. He is wearing boots, pants, belt, and a long sleeve shirt. Behind him are plants, a brick house, window, and doorway. On the back it says, "Michaels."

A black and white photo of a man standing in front of a house. He has his hands tucked into his pants and he is wearing boots, pants, long sleeve shirt, and a hat. Behind him is a brick house, window, and plants. On the back it says, "Bradley."

A black and white photo of a man, young boy, and a young girl. The girl is leaning against the house in a dark pea coat. The man is wearing a military uniform and the young boy is wearing shorts and a shirt. They both have military hats on and both have a cigarette in their mouths. The man is squatting down next to the boy and has his arm around him. Behind them is a brick house, window, and plants.

A black and white photo of a man standing in front of a house. He is in a military uniform, pants and a long sleeve shirt. On his belt it looks like there is some kind of pocket. His arms are at his side and he is in front of a brick house, plants, part of a window, and part of a doorway. On the back it says, "Robson."

A black and white photo of a man standing in front of a house and a young girl leaning against the house in the background. The young girl is wearing a dark colored pea coat and knee high socks. The man is in his military uniform and is wearing a military hat. He is standing so the picture is of his side. Behind him is a brick house with windows and plants. On the back it says, "Buday. Hujo call it."

A black and white photo of a group of men, women, and children standing in front of a house. In the front is two young boys dressed in shorts, socks, and a jacket. Next to them is a young girl dressed in a dark colored pea coat. The woman is standing behind the boys and she is wearing a dress and jacket. The men are all dressed in their military uniforms, pants and long sleeve shirts. Behind them is a brick house with large windows, plants, wood posts out of the house, and an open doorway.

A black and white photo of two men in their military uniform. The man on the left is in a one piece suit and has a cigarette in one hand and the other around the guys shoulder. The other guy is wearing a military hat, pants, and long sleeve shirt. He has his arm around the other guys shoulder. Behind them is a house, plants, and windows. The top and bottom of the picture is fading or white.

A black and white photo of three men by a vehicle. They are all in military uniform, boots, and hats. One guy is leaning on the back of the vehicle, one is leaning on the middle of the vehicle, and the other is standing towards the back. There is a building behind them and what looks like ruins of another building in the corner. There is snow on the ground and roof.

A black and white photo of four men standing in front of a building in the snow. They are all wearing their military uniforms, pants, boots, jackets, gloves and hats. The one guy on the right also has a belt with pockets.

A black and white photo of five men sitting and reading behind a pile of wood. They are all wearing military pants, shirts, shoes and jackets. The three on the left and the one on the right are all wearing military hats. The man on the left and the one in the middle are reading while the man between them and on the right are sitting there. Around them is pieces of wood and cans. On the back it says, "Freel (Oregon), (Lion)-(Ken), F ornot, Barrett Phil. Cottonbalev Sept 1945."

A black and white photo of a man in military uniform standing in front of two doors. He is wearing boots, pants, a long sleeve shirt, and a tie. His hands are at his sides and he has a cigarette in one hand. He is standing in front of a brick building with double doors. There are some black marks on the picture, one on his face. The paper has a yellow tint.

A black and white photo of a man in military uniform standing in front of a large statue. He is wearing pants, jacket, hat, and glasses. He has one foot on the edge of the statues base. Behind him there are bushes and a large statue with people carved in it.

A black and white photo of three men in their military uniform. They are all wearing pants and a jacket. The man in the middle has a larger hat and the other two have the same style hat. The two on the right both have belts on and the man in the middle has his arm around the other two. Behind them there is a tall bushes.

A black and white photo of three men in their military uniform. They are all wearing pants, jacket, and hat. The two on the left do not have a belt on and the one on the right does. The man in the middle has his arms around the others shoulders. They are standing in front of a building that has a small river around it. There are some plants along the building. On the back the words are cut off a little but some of it says, "James Kavouras, Spnadinos, myself. March 1943 San Antonio."

A black and white photo of two men in military uniforms standing in front of a building. They are both wearing boots, pants, and a long sleeve shirt. They both are standing with their hands in their pockets. Behind them is a building and on the right there is a set of stairs.

A black and white photo of a man in military uniform squatting down in front of a building. He is wearing boots, pants, jacket, hat, and glasses. Behind him is a doorway, the open door, and a brick building.

A black and white photo of two military men sitting at a table outside. They are wearing boots, pants, and a long sleeve jacket. The man on the right is also wearing a tie and glasses. On the left side there are some fences. Behind them there are trees and bushes.

A black and white photo of three military men standing in front of a building. They are all wearing pants, boots, and a long sleeve shirt. The man in the middle is also wearing a tie, hat, and glasses. The man on right has his are resting on the shoulder of the man in the middle. Behind them is a large building, a fence, and trees.

A black and white photo of a man in military uniform standing in front of a building with an open doorway. He is wearing boots, pants, a long sleeve shirt, and a hat. He has his hands behind his back and is standing in front of an open doorway with the door on the left.

A black and white photo of two men sitting at a table outside. They are both wearing boots, pants, and a long sleeve shirt. The man on the left is wearing a tie and glasses and resting his arm on the table. Behind them there are trees and bushes.

A WWII Red Cross nurse's uniform. The Uniform is stark white, and is short-sleeved. There are 5 buttons running down the front of the uniform which keeps it on. There is a red cross (the international medical symbol) sewn on the left breast of the uniform. There is a single white pocket on the left of the uniform at waist level. There are two loops, probably for a belt, on either side of the uniform's waist. No beld is present. The front of the uniform is pleated from collar to hem.

A WWII Red Cross nurse's uniform. The Uniform is stark white, and is long-sleeved. There are 3 buttons running down the front of the uniform however the uniform does not open all of the way down. There is a red cross (the international medical symbol) sewn on the left breast pocket of the uniform. There is also a single white pocket on the left of the uniform breast. And there are two pockets on the left and right side of the uniform at waist level. The left (proper) sleeve of the uniform contains a double-barred chevron.

A WWII Red Cross nurse's uniform head cap. The cap is made predominantly of a very thin, see-through blue fabric, with a strip of white fabric in the front. The blue fabric is in a diamond shape. The white fabric has a red cross sewn into the center of it, which would sit over the center of the wearer's forhead. Both ends of the white fabric strip has a white fabric string for securing the headpiece in place. This head piece was worn with all Red Cross nurse's uniforms.

A WWII Red Cross nurse's bandage bag. The bag is dark blue in color and is made intirely out of cloth. The inside is lined with red and there is a red cross with a white border (international medical symbol) located on one outside face of the bag. There is a handle that is fastened at the top by a medium size black button.

A photo of the Red Cross Nurses of Chicago Greek Unit, "He Hellas". Donor's mother is 2nd from the left in the first standing row. Image is on photo paper and is relatively old, and has significant wrinkling and tearing in the bottom left section. It also has a slight roll to it from its time kept rolled up.

A photograph of the Chicago "He Hellas" Greek group of Chicago Red Cross workers, seated with the Console General of Greece. The Donor's mother is 2nd from left, top row. The photograph is black & white, and is in relatively good condition with slight tearing in the top left corner, and creasing in the bottom left corner.

A certificate of recognition, recognizing donor's mother for her service in the Red Cross. Certificate is thick white paper with black and red lettering on it. It includes information such as the participants name, issue date, chapter, and signatures of the President of the Red Cross.

A large photograph of a banquet in honor of the Honorable Stefanos Rokanas Consul General of Greece, given by the Cephalonian Brotherhood of Chicago. Donor's father, Nick Tzakis, seated, 2nd table from right, sixth person on the left. Donor's mother is to his right. Photograph has a number of tears and creases along the left, right, and bottom edges, but is otherwise in relatively good shape.

An honorable discharge document for Andrew Calas. The document has a faded yellowing border and is stained, crumpled and ripped. The front has lines of dirt over it. It is typed with dashed lines on which officials wrote Calas' information. the front is stamped with an almost impossible to read blue Wisconsin stamp and the back is stamped with a Rockford, Illinois stamp. The front of the document says "Honorable Discharge from the United States Army," and has the U.S. crest with an eagle holding a branch and arrows.

A plain piece of yellowing paper with a faded blue border. Within that there is a title of "Honorable Discharge," and under that a colored print of a flag with 48 stars. Under the flag the document has "As the flag is clean so keep your honorable discharge neat," printed on it. The document is torn where it has been folded.

White/ cream certificate. The writing is in red and black text. It reads "certificate of appreciation. This certificate is awarded to John E. Catsulis by the Veterans Administration in recognition of the unselfish deidcation that you gave to this country and in honor of veterans day the staff and patients of the North Chicago VA medical center express their heartfelt thanks and appreciation November 10, 1986." It is signed by Lawrence C. Stewart Medical Center Director. And under his name there is the seal for the Veterans Administration.

The post card has a photograph on the front of a man in military wear from World War I. He is turned at an angle with his body facing to his left while his gaze is directed out at the viewer. In his right hand he holds a rifle. He is wearing a hat and backpack as well as a traditional army uniform. Behind him is a tent on the left side of the photograph. In the distance more rows of tents can be seen on the right. A tree with only branches stands behind him. The reverse side of the photograph is in a postcard layout with the man's name at the top with the year. The man's company, infantry, and division is listed on the right. In the top right corner is a place to apply a stamp. There is no handwritting in the correspondence on the left side.

A wood and metal commemorative plaque. Brassy metal border on the long edges. Top center inside a raised circle are the letters OSS in white with a gold border on a maroon background. The border of the circle is white and gold. Below the circle is a metal plate that reads in black print: "Helias Doundoulakis/OSS - SI Branch/The only OSS Spy to Operate a radio transmitter in Thessaloniki, Greece/March-September 1944 / 2008 OSS Award Ceremony/ Astoria, N.Y. On the back is a metal hanging fixture.

Dark olive/army green regulartion Army jacket. Jacket is covered in pins and patches signifying rank, honors earned, regiment, and other accoutraments signifying the wearer's rank and branch.

A U.S. military dog tag on a ball chain punched with, "Helias Doundoulakis 10675040 T45" To the side there is also an "0" and below that a "P"

Bronze circular medal with a blue and white striped ribbon attached at a metal ring at the top. On one side there is a border of raised dots. It says, "National Resistance 1941-1945" in Greek, followed by a decorative flourish. On the other side is a figure of a man in traditional Greek garb holding a gun and wearing bandoliers. He plants the greek flag in the ground.

Circular bronze medal attached to a red and white ribbon by a metal ring at the top. The ribbon has a metal pin on the back.The front has an image of an eagle clutching a sword in its claws standing on top of a book. Around the edge are the words, "Efficiency, Honor, Fidelity". The back has a star and a banner and a border of laurel and fig leaves. It says "For Good Conduct".

A pin shaped like an eagle in flight. Gold colored backing. The surface of the eagle is painted like the American flag.

A circular pin with a light goldish metal backing. On the front is printed in white letters on a maroon background The OSS Society.

A metal pin shaped like a ribbon with white stars oon a blue field on one side crossing over red and white stripes.

A metal pin painted gold. It is a button fastening, much like a cufflink.The front has an eagle with outstretched wings inside a circle, one wing behind the border, the other in front. Below the insie circle are verticle stripes.

A gold colored pin with shaped like a waving flag with an american flag printed on the face of the pin. The face is coated in a shiny clear plastic.

A rectangular metal pin. The face is embossed with the letters USA on a black background, and the letters are inked in to look like they are cut out of an American flag. The surface is covered in clear shiny plastic. The back has crosshatching on the surface and a pin post. in the center.

A gold-colored metal pin in the shape of three revolutionary soldiers holding an early american flag. They stand on a platform. The flag is has a circle of 13 stars, and only has 4 stripes of red and white. The soldiers are wearing blue coats, white pants, and blue stockings. Two beat drums and one plays a flute. The one on the left wears a blue cap.The platform they stand on is blue and says in gold letters 1776-1976.

An army green cloth cap with orange and white piping around the edge. Lined with a yellow silk rayon and a leather band around the bottom. On the leather band is a white cloth tag that says 6 7/8, Lot Price.

A postcard with a black-and-white photographic print. The picture shows and man in a military uniform. His jacket has several pockets and has three stripes on each sleeve. He is wearing a strap across each shoulder, but it is not clear what is hanging from the straps. He is also wearing a utility belt. His pants go to his knees and he is wearing puttees (leg wraps) or gaiters on his lower legs, over his boots. The man is wearing a military cap and has a full beard and mustache. He is leaning on a sheathed sword in his left hand, and also as a ring on the smallest finger of his left hand. Behind him is a tree, over which his coat is hanging, and behind that is a stone wall. On the back of the card, the words "Post Card," "Correspondence," and "Address" are printed, and there is a square with the words "Place Stamp Here". Written in pen on the back is "John T. Agreostathes.

A black-and-white photographic print mounted on cardboard. The photograph depicts a group of young men standing in front of a building. The men are standing in two rows. All of them are wearing military uniforms and holding rifles, and they have small swords hanging from their belts.. A man in the back on the far right is holding a Greek flag, while another man on the far left is holding an American flag. Most of the men appear to be in their teens or early twenties. The men standing on the far left and far right look older and appear to be the commanders. There are groups of civilians in the back on either side of the men in uniform. A sign on the building behind the men says "Hull House Boys Club".

A black-and-white photographic print mounted on cardboard. The photograph depicts a group of men in front of bushes and trees. There is a dirt road in front of them. The men are in three rows, with the first sitting, the second kneeling behind them, and the third standing behind the second row. All of them are wearing military uniforms and holding rifles, and they have small swords hanging from their belts. One of the men is wearing a traditional Greek Evzone uniform. Two of the men are holding flags, one an American flag, and one a white flag with some kind of insignia containing Greek letters. Most of the men appear to be in their teens or early twenties. There is also a boy in uniform who is probably not more than ten years old. There are groups of civilians standing behind and to either side of the men in uniform.

A black-and-white photographic print mounted on cardboard. The photograph depicts a group of men in front of bushes and trees. There is a dirt road in front of them. The men are standing sideways in two rows. All of them are wearing military uniforms and holding rifles, and they have small swords hanging from their belts. The two men at the far left are holding flags. The man in the regular uniform is holding an American flag, while the man in the Evzone costume is holding a white flag with some kind of Greek insignia. Two men to the right of the flag-bearers are holding bugles. Most of the men appear to be in their teens or early twenties. There is also a boy in uniform who is probably not more than ten years old. One of the men is standing on the road, away from the rest. He is wearing a different kind of belt and holding a sword. There is a small group of civilians standing at the far end, behind the men in uniform.

A laminated copy of a black-and-white photographic. The photograph depicts a group 18 of men in front of a fence covered in vines. The men are in two rows, with the front row sitting and the back row standing. All of them are wearing military uniforms and holding rifles. Many of the men have mustaches. The image is very grainy. Underneath the picture is a caption in Greek that translates to "From the Repository of National Memories 1912-1913". There is a note written in Greek on the back of the print, but the writing is mostly illegible. However, it contains the dates "1912-1913" and "December 25, 1954," as well as the signature of John Agreostathes.

A black-and-white photographic print. The photograph depicts a large group of men in a grassy area, sitting or standing in front of a group of trees. The men are in three rows, with the first row sitting or lying on their sides, the second row kneeling behind them, and the third row standing behind the second row. All of them are wearing military uniforms and holding rifles, although the uniforms do not all look the same. Many of the men have mustaches. On of the men in the middle of the back row is holding a white flag bearing some kind of insignia. The photo is fairly blurry and low resolution. Underneath the picture is a caption in Greek that translates to "From the Repository of National Memories 1913-1914". The back of the card contains a name written in Greek, possible "Leonidas Zolos".

A black-and-white photographic print. There are six men standing in front and four men standing on a raised area behind them. Although the men except the one on the far right are in uniform, although there a few different kinds of uniforms among them. All of the men are wearing military side caps. Many of the men have medals on their chests. The men appear to be middle-aged or older. They are standing outside on a concrete surface with a number of trees in the background. There is a piece of equipment behind them that appears to be a cannon.

A black-and-white photographic print. It depicts a group of men in three rows, with the first row sitting and the other two rows standing behind them. Most of the men are wearing suits and ties, although a couple are wearing military uniforms. All of the men are wearing military side caps. Many of them have medals on their chests. A couple of the men have canes. The men are in a grassy area, with a wooden fence and several trees behind them. Text at the bottom of the image says: "Phalanx of Greek War Veterans Picnic Aug. 25th 1940 Chicago"

A black-and-white photographic print. The photo depicts eleven men standing in a row. Most of the men are wearing military uniforms, but some are wearing suits. All of them are wearing military side caps. Many of the men have medals on their chests. One man on the left is standing behind the others. The men appear to be middle-aged or older. They are standing in a large, carpeted room with ornate walls, and there is a large, metal grate in the wall behind them. There is a lamp hanging from the ceiling.

A black-and-white photographic print. The photo depicts a group of men standing in a room. Most of them are wearing military uniforms and various kinds of military caps. Many have medals on their chests. There are two rows of men, but the ones in back are mostly obscured by the men in front of them. Seven of the men in back are holding flags, including an American flag, a British flag, and a flag that bears the words "American Jugoslav Legion". There is a painting visible in the upper left. There are windows in the back and right walls, with some kind of furniture, possibly a piano in front of the back window. There are a few men in suits standing on a raised area behind thee rest of the men. One of the men is sitting at the piano and there is a microphone stand in front of another one.

A black-and-white photographic print. The photo depicts a group of men standing in a room. Most of them are wearing military uniforms and various kinds of military caps. Many have medals on their chests. There are two rows of men, but the ones in back are mostly obscured by the men in front of them. Seven of the men in back are holding flags, including an American flag, a British flag, and a flag that bears the words "American Jugoslav Legion". There is a painting visible in the upper left. There are windows in the back and right walls, with some kind of furniture, possibly a piano in front of the back window. There are a few men in suits standing on a raised area behind the rest of the men. One of the men is sitting at the piano and there is a microphone stand in front of another one. The name "John Agreostathes" is written on the back with an arrow next to it.

A black-and-white photographic print. The photo depicts seven men sitting behind a table. Some of them are wearing military uniforms, while others are wearing suits. All but one of the men are wearing military side caps. The man on the far right is wearing a different kind of military cap. Many of the men have medals on their chests. There is a white cloth on the table, as well as several dishes of food. Each man has a plate and cup in front of him. There are four American flags behind the men and a window on the right wall. There is a raised platform behind the men, and someone can be seen sitting or standing on it. The following is printed on the back of the photograph: Edward's Photos 1410 W. Division St. Ph. HUMboldt 2560 - Chicago 22, ILL.

A black-and-white photographic print. Five men are standing on a lawn in front of a house, with a sixth man sitting in a chair in front of them. All of the men are wearing similar military uniforms and military side caps. A couple of the men have medals on their chests. The man in the chair has more medals than any of the others and appears to be older. The house behind them is made of brick and has a wraparound porch. There are plants and trees in front of the house, behind the men.

A black-and-white photographic print. Four men are standing on a path in front of a house, with a fifth man sitting in a chair in front of them. All of the men are wearing similar military uniforms and military side caps. A couple of the men have medals on their chests. The man in the chair has more medals than any of the others and appears to be older. They are standing/sitting on a step along the path leading to the house. There are plants on either side of them. There is a woman standing on the porch behind them. She is wearing a floral-patterned outfit and leaning against the wall.

A black-and-white photographic print. A large group of men are standing in a room. A man with his face turned away from the camera is wearing a suit and side cap that says "Greek War Veterans". He is shaking hands with a man in a military uniform. A man next to him, closest to the camera, is also wearing and suit and "Greek War Veterans" side cap. He has glasses and a mustache and is also facing away from the camera. He is raising his hand as if preparing to be the next person to shake the hand of the man in uniform. There are three men behind the man in uniform, facing toward the camera. There is another man on the left of the picture looking at the men shaking hands. In the upper left corner, there is an outline of a rectangle on the image, and the name "J. Alexander" is written in white inside the rectangle. The name "John Agreostathes" is written in pen on the back. Below this, the number "1069" is written above text that says "Photo by J. Alexander."

A sepia-toned photographic print. Seven men in military uniforms are gathered behind a small table on a sidewalk. Four of the men are standing with a wall behind them. Two other men are sitting in from of them in wooden chairs, with a small wooden table between them. Their is a bouquet of flowers on the table. All of the men have serious expressions on their faces. All of the men are wearing wool pants with puttees and boots, as well as wool military jackets and wool side caps. The wall behind them as a mural painted on it, and includes a word writen in Greek.

MP (military police) badge that is part of the WW2 uniform worn by Stafford James Machas. He reported to duty in July of 1943 and was a Private First Class serving in the Seventh Armored Divsion of the US Army. He served as a military police in a POW camp in Texas, Camp Dennison. 3 7/8 in height

WW2 military hat. This is a modern copy of the one Stafford James Machas would have worn with his uniform. The donor Faye Kopplin bought this to have a complete military uniform to donate. There is a small hole in the top of the hat. The inside seam has 'M7437' printed on it. 5 in height

Military green overcoat worn by Stafford James Machas. He served as a Private First Class in the 7th Armored Division of the US Army. He served at the Battle of the Bulge in the winter of 1944/45 when the Nazis surrendered. He received an honorable discharge in 2/14/1946 and returned home to finish high school and attend the Illinois Institute of Technology, using the GI Bill for his education. The coat is a thick wool overcoat with six brass buttons, three on each side. The buttons depict the Eagle with a victory torch and olive branch for peace. The patch on the left shoulder is the "2nd infantry division indianhead" patch, commemorating the division that created the patch in WW1. The patch on the right shoulder is the patch for the 7th armored division, which he was apart of. 19 in shoulders 25 in sleeves 49 in length total.

A khaki green Navy belt with a gold military web belt buckle. There is a small anchor stamped into the back of the buckle. "45 L" is stamped in black on the inside end of the belt.

An U.S. Army good conduct medal issued during World War Two. The ribbon is red with six white stripes. The medal is bronze colored and cicular. The front of the medal has an eagle clutching a sword while siting on a book. The words "Efficiency, Honor, Fidelity" are around the edge. There is a pin clasp on th back of the ribbon. The back of the medal has "For Good" above a star on it. Below the star is a blank place to engrave a name. Below the blank there is the word "Conduct" All this is bordered by branches.

An U.S. Army good conduct ribbon. The ribbon is red with six white vertical stripes, three on each end. It has a bass backing and a pin.

An U.S. Army good conduct ribbon. The ribbon is red with six white vertical stripes, three on each end. It has a bass backing and a pin.

An U.S. Army ribbon bar with a good conduct ribbon, a World War Two victory ribbon, and an American campaign ribbon. The good conduct ribbon is red with six white vertical stripes, three on each end. The World War Two victory ribbon is rainbow colored with a solid red center. The American campaign ribbon is blue, red, white, and black striped. There is a brass ribbon backer and pin on the back.

United States Army Marksmanship Qualification Badge:level Marksman. The badge is a gray metal Maltese cross. The badge has a pin on the back and two cicular opening at the bottom to suspend Weapon Qualification Clasps.

United States Army Marksmanship Qualification Badge:level Sharpshooter. The badge is a gray metal Maltese cross with two circles in the middle. The badge has a pin on the back and two cicular opening at the bottom to suspend Weapon Qualification Clasps. There is a "Rifle" clasp suspended from the bottom.

United States Army Marksmanship Qualification Badge:level Expert. The badge is a gray metal Maltese cross encircled by a wreath with two circles in the middle. The badge has a pin on the back and two cicular opening at the bottom to suspend Weapon Qualification Clasps. There are "Expert", "Rifle", and "Carbine" clasps suspended from the bottom.

U.S. Army Air Force aerial gunner badge. The metal badge is a pair of wings with a winged bullet in the center pointing down. There are two pins and clasps on the back.

Army Infantry Branch Insignia: enlisted. The badge is cicular with two gold color crossed muskets, vintage 1795 Springfield musket. There is a screw backing on the back.

Male officers gold badge displaying spread eagle clutching laurel branch in one talon and 13 arrows in the other. At the top of the eagle is a solid round disk displaying 13 stars. There is a screw backing with nut and washers.

Male officers gold badge displaying spread eagle clutching laurel branch in one talon and 13 arrows in the other. At the top of the eagle is a solid round disk displaying 13 stars. The badge is heavily discolored to silver.

Photograph of a moustached man wearing a military uniform. The photo is from mid-thigh and up. He holds his gloves, hat, and sword in his hand. Behind him are curtains and a small table. The photograph is in sepia and its upper right corner is missing. The back has traces of what appears to be some sort of sticking mechanism--it was probably glued to an album page at some point.

Copy of Greek Army Discharge paper for George Phillos. From the Army office in Arcadia, Greece. In Greek.

Honorable Discharge from the United States Army for George J. Georgandas, #2815778 Sergeant Co B 603 Engineer. Enlisted on April 24, 1918 in Chicago, IL

A black-and-white copy of a painted portrait. The image shows a waist-up portrait of young man. The man is wearing an American World War I army uniform with a campaign hat. Pinned over his left breast is a Medal of Honor. There is a signature in the lower right corner and the name "George Dilboy" is printed in the lower left corner.

Dedication of the George Dilboy Memorial. In the very background of the image are trees, in front of those trees is the memorial statue of George Dilboy. Surrounding the memorial statue are bushes and a flower wreath with a small American flag at the bottom right of it. There is a man situating the flower wreath. Lined up in two rows leading up to the flower wreath, and ultimately the George Dilboy Memorial, are men and assumed veteran soldier dressed in trench coats and umbrellas in hand.

Khaki wool men's shirt. Part of U.S. Army uniform.

khaki wool men's shirt. Part of U.S. Army uniform.

A gold-painted metal statue of Pvt. George Dilboy modeled off of the memorial statue at the Hines Veterans Administration Hospital in Hines, IL. The statute depicts Dilboy in full battle dress with a rife in both hands. On the base of the statue "George Dilboy" is engraved.

Large American flag with 48 stars. The stars are in eight rows across and six rows down. The stars are made of thicker white fabric that has been sewn on on both sides. The flag is made of a thin fabric that can be seen through. There is a white edge to the flag with two holes lined in metal to hang the flag up. On the tag it reads "United Service Flag Co. N.Y.C."

U.S. Army -issue, khaki-colored, 5-button wool bomber jacket with 2 pleated patch pockets.

Original document of Honorable Discharge from the United States Army for John Dasaky, rank of Private at Camp Grant, IL. Fought in St. Mihiel Offensive, Meuse-Argonne Offensive, Offensive of Argonne West of Meuse River in WWI

Black and white photograph, reproduction of a WWI,(1917-1918) era photograph. Photograph is of George J Skaelson, fullbody photo, dressed in WWI US army uniform, with hat, rifle, rucksack, and gaiters and shoes. He is posed standing in profile and is apparently in an army camps or barracks of sorts as there are buildings with cloth roofs in the background

Document of Honorable Discharge from the United States Army for George John Sakelson, Private rank, Fort D. A. Russell, Wyoming.

Black and whtie photocopy of Sotiros Horigas, Greek Army solider. Sotiros is standing in his uniform. The photocopy is waist up with a heart shape around the picture. In the background it looks like there is a lake with mountains. Surround the picture it says "Greek army, My brother Satori, Balkan War 1912-1913." Sotiros has two medles pinned on.

Corporal Thomas Stevens (Athanasios Hatzigiannis) Company 122 Infantry 31st Division

A small picture of the Barbatsuly father, Theodore Barbatsuly, in uniform as a Greek Army soldier, taken in 1921. His name is written in Greek along the top of the picture, and "1921" written at the bottom.

3X3 inch base reads George Dilboy (underlined) with a slight angling of the corners. George has knee high boots and is wearing a standard uniform of a United States soldier fighting in WW1. On his back pack we can see the handle of what supposedly is a small shovel. His canteen is at his belt and he carries the standard.30 calibre U. S. Army rifle. His brow is slightly furrowed but otherwise his features are not distinguishable as any particular person. His hat is US army standard. Around his neck is his gas mask pack. The orginal metal coating has a patina tinge mostly near the feet on the base, in the text, and on the points that are handled less (such as in the creases and under the hat). Therefore the figurine is most likely oxidized brass coated. On the underside of the base is a description on cardboard reading "Replica of the Famous George Dilboy Monument Erected at Hines, Illinois" "George Dilboy is the outstanding American hero of World war I, is of Greek descent and was awarded the Congressional Medal of Honor" "Sponsored by Constantine Adonopoulos 1456 FLOURNOY STREET Phone MONROE 1634 CHICAGO 7, ILL."

This is a possible studio photograph of a man posing in his U.S. Army uniform. He sits tall at an angle in a wooden chair and looks off to his right. His right hand rests on the arm of the chair while his left arm rests on his crossed legs. The bottom of the image stops just below the knees of the soldier. The back of the wooden chair is much more out of focus compared to the rest of the objects in the image; however, there are still decorative carvings that can be made out. Behind the wooden chair to the left appears to be a false backdrop imitating a tall open window looking out into some trees with birds flying through them. Behind the chair to the right is a blurred back drop, perhaps created by a long exposure time.

This is the top portion of the two-piece engagement outfit of Christina Ioanna Kalfa. It is a jacket-like piece with a high neck, and a small, one inch collar. The jacket is an army green color, with long sleeves and a button up middle. The waist it tapered in, in order to fit a womanly figure. At the end of each sleeve, there are satin-like ruffles right above more ruffles at the very end of the sleeve. The second set of ruffles are the same piece/fabric as the jacket. The first set of ruffles are attached separately, and have different fabric. The inside of the jack is lined with a light brown fabric.

This is the bottom portion of the two-piece engagement outfit of Christina Ioanna Kalfa. It is a plain patterned skirt, the same fabric and color as the jacket (army green). It is dismantled from its orginial form, because of the intent to alter the outfit. Consequently, there are cuts on seams and loose threads/hems. But in general, the dress is comprised of plain panels of this fabric sewn together to form the top 33 inches of the skirt, and then the same fabric is pleated very finely to form the bottom 7 inches of the skirt. The inside of the skirt is lined with light brown fabric, the same lining as the jacket it is paired with.

Army green colored Type A-14 oxygen mask. The face mask itself is made of rubber. The face seal goes along the face is rounded at the bottom, slightly elongates to fit better along the cheek area and then cuts in and becomes taller to fit around the nose. On the inside of the maske there is another flap of rubber, held on by two plastic nails, around the area the bridge of the nose would be, and in between those nails is a slightly raised circle with an indented center (the microphone); the center as a clear plastic sheet, which has a small hole in with, showing part of the background that is brown with white writing. The writing that is shown reads "54-A, o, M-CI." Beneath this area is the breathing hole, which is about an inch round with five trapizoid cut outs and the very center has a very small raised piece of tubbed plastic. Underneath the face mask, about on the sides of the chin, are two ventilation flaps, the one on the right being taller than the left. In between these two vents is the connector for the oxygen hose. The hose itself is plastic and ribbed and about twelve and a half inches long. At the vert end of the rubber portion there is a half inch wide metal clasp that goes all the way around it, it is in a dark grey/black color. Connected to the end of the hose is a metal connector, which would allow the hose to plug in and optain oxygen. Attached to the top of the hose is another rubber, smooth, strip the goes all the way around the hose. On the under side it attches a black cord that comes from the top of the mask, bridge of the nose and comes down about twelve inches or so. The end of the cord is two pronged and would have been used for audio. The top portion of the face mask is more rounded where the mouth/chin would be. There is a small indent before the nose and then the mask comes upwards. There is another indent about an inch and a half after the first and then another upward movement of the mask. After this point the rubber is moved about a 90 degree angle creating a seal over the nose. The side of the mask has the two larger rounded flaps that would rest on the cheeks. There are a few straps placed on the mask as well. One of which is placed right before the hose and curves us to the side of the mask. The other rests under where the nose would be and goes straight across to the sides of the mask, meeting up with the other strap. Both of the straps are made of rubber and held in place with black nails. Attahced to the end of each rubber strap are metal loops which hold fabric straps. on the right side there are two seperate straps, one coming off of each end of the rubber ones. On the left side there one fabric strap. The fabric straps are also in an army green color with yellow stitching. Stamped into the rubber on the mask are three seperate text. In bewteen the rubber straps reads "Demand. Oxygen Mask. Type A-14. Large." The text is in four rows and slighty worn off on the first two lines to the right. The other bit of text is on the left corner, above the vent area, reading Bulbulian. The Ohio Chemical & MFG. Co. Arctic. AT APP FOI" This is in five rows of text and above it has a logo of Bulubulin which is of a cirlce with a line in the center, with two B's sitting back to back. On the other side of the mask is another stamped text reading "Property. Air Force. US Army. C No 3163. 8-44." Five rows of text.

A khaki long-sleeved, button down, cotton shirt. It has a collar, 7 buttons down the front, and a button to fasten each sleeve. There is a breast pocket that buttons shut on both sides. The left sleeve has two patches and the right sleeve has one patch. Inside the collar is a brown cloth tag that says, Regulation Army Officer's shirt.

A round brass army uniform collar button pin with the letters U.S. raised on the surface. Screw post on back.

A bronze colored lapel pin in the shape of the block letters U.S. Screw post on the back.

Small, crossed flag pin, The pin has the image of two flags: The American flag is on the left side and the Greek on the right. The American flag has one bend/wave in it and has four stripes (two white and two red) and has nine stars, which are gold not white. The Greek flag also has four strips (two white and two light teal) and has a white cross in the top left hand corner. Like the American flag it also has one bend/wave in it. The flags are both on a "pole" and cross at the bottom of each flag. In the center between each pole there are two, three leaved plants. The back if the pin is all gold colored and has a screw coming from it.

Small gold pin. Pin of the lunar module. The image shows a one sided image of the lunar module including: one radar piece, two of the landing gears, and one of the thrusters.

Heavy wool jacket used by Stafford James Machas in WWII. Machas was a Private FIrst Class and served in the 7th Armored Division of the Army. He also served at the Battle of the Bulge when the Nazis surrendered. Coat has size brass buttons a patch on each shoulder for the 7th Armored Division (left shoulder) and the 2nd Infantry Division (right shoulder). Inside collar stamped with 38 - R and G0457 which was crossed out at one with a marker or pen.

Single breasted white women's uniform jacket with 3 gold stripes and 5-point star of each sleeve. Part of US Navy uniform for women in 1942 (WAVES??).

women's white cotton blouse with collar and black tie. Part of U.S Navy uniform for women (WAVES???).

30" long white cotton skirt. Part of U.S. Navy uniform for women (WAVES???).

Pencil line drawing featuring Vice Admiral Michael P. Kalleres in formal Naval attire in center, in cap at lower left and helmet at lower right. Arch of flags representing all 16 NATO flags. Husky dog at right side, abover shoulder of Kalleres. Kalleres' call sign in the Navy was "Lead Husky"

black double-breasted wool naval jacket with eight gold buttons and a gold star and ribbon on each sleeve. Worn in the Navy during World War II.

black wool pants. Part of U.S. Navy uniform. Worn during World War II.

Summer white naval hat with black rim, gold emblem, and gold ribbon. Made of cotton and leather. Part of navy uniform. Worn in World War II.

The mask is black with oval-shaped eye holes and a circular front. There are tubes going from the bottom of the eye holes to the cannister in the back. There are six elastic straps on the back of the mask to attach it to your head. There is also a grey sheet that goes in the mask to keep it in shape, called a faceform. On the front of the mask, it reads "USN U" in black letters. There are also directions on how to use the mask.

Kaki colored bag with "USN U Gas Mask ND Mark III" printed in black on bag. There is a flap over the top with metal snaps and a connected shoulder strap. There is a litle cylinder strapped into the bottom of the bag.

Lieutenant (Junior Grade) George Sotos, Executive Officer and Navigator U.S.S. PC 451 taking a navigational sight near Key West, FL

A US Submarine on the surface of the water after excercising with Lieutenant Commander George P. Sotos' ship, the USS WIllis (DE 395)

Two torpedo tracks made by torpedoes fired by the submarine seen in 1998.42.4 at the USS Willis (DE 395). The torpedo war heads are filled with water and they were set to pass beneath the USS Willis during these exercise manuevers.

Lieutenant Commander George P. Sotos, Commanding Officer of the USS Willis (DE 395) sitting atop a barrel, right side of image, during the "Crossing the Line (Equator)" ceremony aboard the ship. Sailor dressed as King Neptune seen at back left corner with trident and fake beard.

Black and white Image of USS Colonial (LSD Landing Ship Dock). A major unit of the US Atlantic Fleet Amphibious Force. Lieutenant Commander George P. Sotos had command of this ship in 1948

A photograph of a woman in a naval uniform. The photograph is of her upper torso and face. She is wearing a white blouse and a white naval uniform jacket with pins on the lapels. She has curly, dark hair and dark eyes. She is smiling and wearing lipstick. On her head, she is wearing a white female navy officer's hat. The hat has a black rim. There is a crest on the front of the hat with and eagle over a shield and two crossed anchors. Writing on the back of the photograph says "Navy Lt. Commander Adeline J. Geo-Karis 1942-1960 Navy Service".

spare rubber tubing. Ribbed all over minus a little over an inch on the ends which are smooth. Grey in color. On one of the ends, on the smooth portion, there is a small ( about half an inch) logo looking image: the number 60 in the center surrounded by a spider web like pattern. On the opposite side there is the number 07.

Beige WWII flighter helment with built in headphones. The cap itself is canvas material in a beige or khaki color. There are three lines of stitiching, about an inch and a half apart, going over the top center of the head (starting at the forhead area and going all the way down to the neck). One one stitching that goes all the way around the base of the cap. At the forehead there is one flap of fabric the is under that bottom rim stitch, it would cover part of the forhead and in yellow paint there is the work "Greek" painted on. At the ears of the cap there is a pair of built in headphones. On the outside the they are black in color. The center of the headphone is metal and a raised inch wide cirlce with the words " US Navy. ANB-H-IA C.T.E" incraved over it (this is on both ear pieces). On the top of the metal portion there is a wire that is connected to both ear pieces. On the actual piece itself there are two wires connected to the headphone itsef with one center piece that is looped on a metal hook. On the left center portion of the wire another strand comes off of it and at the end of it is a plug. The wire is hugged closer to the cap by three leather straps on the back of the head; the center strap is swen on while each of the side ones clasp at the top. Under the right headphone there are two buckels: one just the buckle piece while the other has both the buckle piece and a longer leather strap which is buckled in on one side and the other having one end of a clasp. Under the other headphone is a single buckle piece and a single clasp piece (this one would hook into the other clasp piece on the other side). Inside of the cap has the same stitching on the outside and also has a small square patch on the bottom middle of the cap. It is black with gold writing reading " Part No. AN6542-2. Size Medium. Contract No. N288s-20478. Slote&Klein inc." Four rows of text. The headphones are black in color and swen onto the cap. They have yellowish colored pads for comfort on the ear.

Headphones with connecting audio cord. The ear pieces have black plastic like material on the outside, while the inner part has a yellow cushion surrounding the frame and driver. Connecting both ear pieces is a metal head piece and slider. The slider is connected to the ear pieces themselves and can be moved up and down to make a better fit on the head. The head piece would rest on the very top of ones head. It has two metal strips that connects to the slider. There is about an inch of that piece that is shown while the rest is coved with a leather strap (leather on the bottom top is made of canvas that folds over the two metal strips and buttons on each side and in the center. On the top right, written in pen is the work 'Greek.' Attached to the ear pieces are also a set of wires/cables. Each end is attached to the ear piece and then follows up on the metal strips that follow around the head. On the left side, on the front set of cables, it splits, one still connecting to the ear piece while the other contiues down about a foot acting as the audio cable.

Beige cloth naval dress cap. The cap is all one solid color and has one fold that comes up about half way up the cap. On the front side, to the left, there is an infantry badge that is pinned on. It is of an eagle holding a shield. The shield has fourteen star, in rows of two, at the top and vertical stripes at the bottom, twelve strips in total. The eagle has his wings spread open and head turned to the left. Behind the shield are two intersecting anchors. Starting at the top of each anchor is a rope that is twisted down to the base. There is fading of color on the insignia, but it does appear that at one point the whole thing would have been painted gold. On the back side of the cap there is an extra two inch rounded fold on the right corner. In the middle of the top of the fold is a bar insignia. Since there is only one this would indicate a lieutenant, the color of the bar has faded so it is hard to determine if it was for a first (silver) or second (gold). On the inside of the cap there is the number seven stamped with ink on the front side; in the very middle and at the bottom of the cap.

Printed photograph of Tom Peters, donors uncle. Taken in his mid to late twenties. He is in his formal naval uniform: visor cap with naval insignia, button down wool jacket with aviator insignia on the left breast, tie and collared shirt. Photograph is taken from the chest up and is in black and white.

White Uvex ski goggles. The frame is curved to fit the face and is a white rubber. On the top of the frame there is two raise black half circles on each side, sitting right next to each other. In between them there is a long raised half tube, which would most likely be used to better secure the eye glass. There is a space for the nose at the bottom of the frame, allowing the goggles to set right atop. On each side of the frame there are three rows of very slight indentation the look like arrows pointing outward past the goggle. The glass portion itself has a green tint. It has the same curve as the frame, and is very rounded glass. It is also very scratched up, more or less all over. On the inside of the frame there is what use to be a padding that would rest along the face, mostly all of it has flaked off so there is just a thin layer of dark brown foam. At each end of the rubber frame there is a black plastic latch that is connected which allows for an elastic headband to be hooked on. The band is black and white striped, two thicker black stripes with a thinner white one in the center. On each end of the band, about a half inch away from the frame, is the word uvex, which is printed in white. There are also two metal loops about two inches apart from one another, towards the center of the band that is used to loosen or tighten the headband.